Craving Pan's Triumph

If i take to cribbage over a grid of holes
the clear areas in the text may accumulate some rot which we can classify according to its natural disfigurement and so it figures i would peg for the abstract legs which perform the race are essentially textural or prosthetic and the gait is an exemplary lesson in the physics of the line / there is no left leg and no right leg and the path of the legs is through each other as if an invisible pelvis' front or rear were perpendicular to the path yet both legs remain facing forward you can't see the rot unless you focus on the scale of the text / play and rot both seem to inhabit the same emptiness the same lack and that strength is also the weakness or the weariness of our absolute figure...