Saturday, April 30, 2011

Tales of Mohammed Mejelly

Fruitless Moab, Grondwanna Blurtlet Schizygene



sitting nude like a bell ringer in white gloves
on a tall wooden giraffe
the Hanseatic nerve ending
Blowfeldt
Gomringer
peanut butter among the natives
pointing up to where the superstructure
pipped its squirrel warninged
wreathe of pomegranate sores

a tall white suited
white tied man
in a white top hat

his body a cluster of sapphires
dribbling sugar tit
for hummingbirds
through invisible fissures

pressured air lens
a metaphor
for the vague
and regal replacement
of the flipping coin
with optical token

convex, or
concave

or fly's eye
worn on the toe
of a kid skin scuffing box
for toast

stoa to be like umbilical
and sequined with lenses

gently swaying hose
what what
or

what what





painting by jason traeger

Friday, April 29, 2011

Some Fairly Bad April Afternoon Haiku from North Texas

Wildfire has emptied
state hospital of kichigai
kamikazi dragonfly to local pond

aging mother in-law driving home
disobeys constable how shameful
the gun pointed at old women

pampered dog rescued
chubby dungeon dragon nurse
dog also chubby, gamey

brother in-law hero
wind blows hot across mesquite
empty old booby hatch

kichigai sad scratching on lawn
some look up around mutter
see great orange skeleton wrestling a hog

firemen stand in hot smoky wind
speaking on cellphones courteously
rural fireplugs painted many different colors








Communication within a species is most effective when it is exclusive, so it is beneficial to recognize signals from your own kind and exclude those made by others. Some fish species living in muddy rivers overcome the challenge of living in a low-visibility environment by electrical signaling. While studying the distinctive patterns of discharges from African electrical fish, Carlson et al. (p. 583) discovered that the evolution of key sensory processing regions in the brain allowed for rapid diversification in one group but was minimal in a closely related group that had diverged prior to the evolution of the sensory innovations. Species within the diversified clade possess receptor morphology that is more efficient at transmitting and discerning complex electric signals than those of the less diverse group, implying that key innovations in brain development can lead to speciation because of improved perception and species recognition. Wireless aquatic signalling and packet exchange has also become important in our contemporary milieu of free-swimming eternal silicon brain tadpoles. As external receptor sites read the viral plankton, data pathways may become engorged with virtual chatterlings whose pressure amplitudes are wont to become transversal pleasure amplitudes, thus giving rise to the wireless electrical packet exchange we all now so enjoy!

Poem by Sándor Weöres

Klaus Kinski and Paule Hammer






The Hospital by Paddy Chayefsky













Thursday, April 28, 2011

Putting the F in Friedel-Crafts




The Friedel-Crafts class of reactions, among the oldest and most broadly applied in organic chemistry, form carbon-carbon bonds between aromatic rings and a variety of non-aromatic substituents, such as alkyl groups. Generally, a metal complex is used to activate chlorinated or brominated precursors of these substituents, but by using silicon-based reagents to activate a fluorinated precursor, Allemann et al. (p. 574) extend the reaction to coupling of two different aromatic sites, leading to efficient formation of elaborate polycyclic structures. The method relies on the unusual strength of silicon-fluorine bonds as a driving force. It has also led to other novel applications in the production and enhancement of our common free-swimming and aromatic brains. The rich and synthetic aromas of our fragrant immortal silicon brain tadpoles, and their spermatazoan propulsion unit upscaling are a direct result and testimonial to the Freidel-Crafts class of reactions, and many others on the long road to our contemporary free-swimming eternal perfumed glass brain sperm embodiment, and the passing from forced labor and synthetic lack into synthetic natural excess and ecological analogs. Grasping for natural and sustainable gaps in traditional ecosystems, the human species is now able to live as just another fish, bird or monkey, and our culture, and knowledge has been rendered into viral plankton. The sea, like a great library is now a general ovirepositor of memic flux data.

The Deep Possibilities of a Morally Inflected Literature.

I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
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I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
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I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
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I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
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I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
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I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD
I B GOOD I B GOOD I B SO SO GOOD I B GOOD I B GOOD I B SO SO GOOD


Cynic

I remember Professor Vaughn would often say,
It is odd that they do not recognize in me
what they have followed reverently for centuries,
namely a simple translation of buddhism's central
tenet, that all life is suffering, for I would often say,
and took it as a hologram for the kit and kaboodle
of my work: As far as ideas go in the universe, "life"
was never a particularly "good" one.

And barring this simple recognition, he would further
plurse and himphthel, "Complexity is itself simple, for what
possible purpose (...) [does it go].. It is no wonder, the Sumerians called
their temples Ziggurats, or waiting rooms".

Blasted, and useless, this unprecious beaker
awaits its masterpiece conclusion: exact size, shape,
and constitution, how uplifting...


And the one thing which made it rich, it's superlative uniqueness
was found cast out in the gutter by every tradition.


I too, shall build my house on the rock of avarice, since mind
or lie alike give forth in bountiful parasite:


What fuel is there to read against an actual knowledge of the truth?


Only love.
like that for a retarded child
who blows bubbles in the starlight
and feels only the lips
contentionless
and wetly blathering.


Every Angel fears the Innocence in Idiocy.

ancient speaking snailmeat makarizousi




pollen polyad prothymoumenon thrill nothing aidoumenos mantefomenoi
This is clear he already endures tῷ And so good many plans
kathaper speak But the ego muscles metals s the music onCertain
edgy I think orators tech spun from bone komῳdias day and some who
entynchanein'd all who is he solid to me First Fruit otherwise
he first pany But instead of the EDOK but were gegonos This does not
moderately affluent diaferein toward Fri little time and whoever musical
en ikon'd ene and then of the body diexiasin en amῃgepῃ of love and any
of its poorest he filikoos at Cyzicus and the sophists This is clear
the he and the eideiein who were called of the body near Jena gignetai
oukoun if epikolouthoun And pleiosin elders endedokota now what Truffaut
Holy and strong as D thirst as eoike adikeistthai swaddling clothes
Of the kitharῳdou the poor tech kitharῳdon their ypogyou dokei to me
that they be clear and he left kitharῳdon zero as They said he saved
us hear envisioned the tech and hand the Self But as per formance After
theatrois any such completely divided by the pepontha of the citizens
toward Moscow and According to the terms much Edeonto hearing this that?
that he emmelestera to these reasons although neither of evadizon's major
voices in the tech and atechnos their s's to come and lexis essential
scholin pepoiikoton

snailmeat, divided by the overweight and admirable ᾔsthonto epidimounta
had wealth and formerly eisi pany and enekaloun, dokousan them sharing
the excellent orator malakotera exerryike of cunning bred, nice old men
under me, over there ᾠdin tragῳdias dietrivon Of the foundation Of the
vomiter But as the Ariones Of the me ; and in the further qualification,
then, and he, exeinai or Zeus in the EI and to men trischiliois left say
often, because it tῇ ment of wiser men say, but many of those that were
ever epithymein pany and experienced fygῇ

talaiporian teleftontes this end, the ancient is he speaking loud Weak
einai chronῳ, THE idonin prosousan gar me though And I clearly essential
aporian THE ge and his akrasian on and younger than men had pollois
eisafikomai sophists, although formerly theasasthai, think and good,
Orpheus, doko straight and goblet signifies me thoryvounton wills and
bodies me the syngignesthai And achthomenou any way and everyone willing
katelthein and what memory while that parties on account of them, then,
very quickly onwards and provided, prothymoumenon thrill This study
embarrassed Easter States But nor metavolin of the current the public
orontai particular its makarizousi on account of the man scrub nor poets
life and thoroughly pimelis out that, how hypocrites to me perhaps more so
than his bold UT alin1 3 cm ego Sea, while strong, Tina ᾄsantos and happiness
and to partake en essential, or would, but HE agar of these particular
the many things peironenon iamveia, and nevertheless possessing Like the
others, oimai, however now it this defect courage. eimi such an advantage
herd the parliament. and the gar iken spite of the current then and oimai
ancient speaking snailmeat makarizousi

-Mot Raca of Morocco

Sir Urgy To Podalamia: Nostra Lingua Longis Navibus...

essentially wormatick

                                                                                          the measondue, its reason due,
                                                   towards earth the latched catch fed on
meson maslin kettle or

                                                                                        pod henry to a tusser straight face auger
poculiform swingle
                               said to abhor, lo

                        vacuum

                                                                                                         swindle's first blow wages
essentially wordamic the meson dieux, its orrhoschist mathorschadow


                                                                                                                              to found, or
ortrowel the radiant delta what pod henry meason fewed

                                                                                        latched into a ketch
            moorbedpan and ortstein for heavenly homage
                                                                                                   on

                                                         Henry Podzol, and the twin Ornery
his rustic Ortygian eremous

                                                                                            Trachistein upon the torch-lit nipple jewels

how slow
how solemn

                                                                 but Ornery chases silver into filigree
                                                                            junty and sterlin as a cheese photographer pillingrew with

                               L'Oryctérope du Cap

                                      laced silver holds sap
                                                        and makes a lens, my friend

                      These dour, but ultimately
Mose

people


                        are Wernerites

and plagates to concern any
oblique and rhombic prism

th' wormatic ensac'd


                                                                                   
The Wernerite Ornery exists too!  (fired!)


To wit (or in graffito res):




That Mod Littorella is a Plantagenet Genius!


a pagus sussed between sanity and lore

strange mulcatives imbound


                                                                                                 Serula
Serula                           Serula
                                                                                            a lesser-toothed diver
fetches pearls up

                                                    from black laud tray (he brend hem thorow Irren & stell)

Polleus Pod Henry
                                                   and Caxton, the white rod


                                                                                                                                                salvenlampia

so here are the snaking jaw tethers
sew at will upon the ered lond


                                                               for ants in a spoon vagina
                                                               moribund the rainbow vegetable
and adlubescence
return


                                             marvels to rehearse transparency

                                                        ?a kynic q?

Wednesday, April 27, 2011

Staked and Rising Fine (Buttercups of Delphi Romance)

dog red mogollon boxer cave boxer to hop light limnal hymnal buried under hot leaves the hand fires funked uy uy uru guy gum belt the brine pelt's sophotoolu haba obba longueur say stay til the party's over we've got this sheepskin a private cooler the good stuff i've saved until the squares nod off under high white screech of torn star shower equipment getting on lower out or down we seem them leprachauns for a rumple seat personal hovering acorns they make a halo for old sticky beard on a camping jag lucky strikes the boxer hard head of red boxer cave stretch mogollon terrible assyrian powers unleashed upon the frial lien levant teen garde arabic neon cool we take sebsi near pierce arrow icon indian head pontiac old watches they viewed in candle andlelight who keeps the timing with the tomtom 6 9 6 9 6 9 6 9 6 9 6 9 6 9 6 9 6 9 MOGOLLON RED He gives an interesting history of interest in the experimental saying experiments should rely on many things not acceptable even in the far distant future. the value of an experiment may never be proven not for all time say upanishad garden hose neon intestine TIME PLAIN CAVE RED bug zapper money clip the wooden fruit basket partay again repeat and gargle the purple metallic mercury into tulip cups once frozen now thaw upon ichor transfuseful okapi tongues in the topkapi palace sat staring at this heavy stone scrollwork some six stories up imagining tawny bat people fucking their hot jittering bodies like icons laid on a grid one tapped the remains my savior is laid out in the cotton gin he pulled me from the smoking hulk but he himself could not be saved i make a thing like black concrete should enter the contest careful careful it has the lay progression softened unto many let leaches enact the secret knowledge in their mouth parts all Mogollon is red and thick with boxing caves the rebelling comes in waves gravitation is the beginning and gravitation is the end all earthly bodies kneel to gravitation thus is the soliloquy of Prof. Daniel Vaughn who looks so Andrew Jackson and down in the mouth to a rail splitter, how does such a handsome carpetbagger get by with such a rumply hat his tongue from smoking like a brown mouse behind the door as all of Rome is burning Nero does not fiddle but watches a strange caterpillar lap wine from a wide flat dish its head reminds one of Hermes the gladiator: Oh Gravitation, thou art a voice out of the beyond and are other forces are but echoes Bjorn could call it but the whole tide not t but inudible the being picked up the metal boat as if it were paper you remember these factless beings who filled the comics with their hearty smell for to comprehend the homely knife to give out belchless fine mint into a summery picture how perfect and soft the green petals flame there could it be that the burning bush never combusted but sat in transcendent tensility a branching equation whose nature murks the saucer unto untuition no great magi female or man would stir beyond the red whole nature of its remarking lane raise up your paws mr mrs paw paw paddle universe paddle wholly on yer own

Query.



Am I hearing Kerouac in this Ebbe Borregaard reading?

Cheers Naarden!

Just noticed I got a hit from the town of Naarden (another fave theme here ie Der Narrenvolk)
which is the birthplace of Bertil Schmüll. Check out one of Bertil's engravings..



which are available here at reasonable prices it seems..
This chap is a master engraver, and Naarden looks
amazing!


Meambling Around Big D in a Brain-Coloured B'Mer

Yesterday, I was blessed with a little rediscovery of sorts, a sly little bookshop whose name shall remain unknown because it is to be my happy hunting ground. For naught shy of nothing I picked up yesterday among many others, L.C. Breunig's _The Cubist Poets in Paris: An Anthology_
and was rewarded even before I opened the book to a line of singular syntaxial heraldry. This, in large bold letters filling the entire back cover, all of it.

THE SUN IS IN
THE STAIRCASE
FOR INFORMATION
CONTACT THE WINE
MERCHANT DOWN
THE ROAD

and right about after contact the wine it says in relative miniature 'After Placard Poem by Pierre Albert-Birot'. Now I haven't read that yet, but this looks to be a treasure of trove of Syntaxis-related troppings.
And I know it is sort of lame to only read things seemingly only in this way, and I don't always when I am reading, but it's like a theme on the blog, and I like the theme, so.. Anyhoo, there is a very odd, and not completely ineloquent poem by Jean Cocteau which castes syntaxis into a magical relief. Cocteau is one of the first media artists I can think of who has his own compartmentalized poet on board. And like a film or a ship, Cocteau himself is a cast of characters. The poem itself is perhaps as good a posterchild for the syntaxis movement as any, and its conflation of inner and outet movements and places begins right from the titular enunciata: The Cape of Good Hope. And what throws it perhaps into one of my own recent discussions upon the translation and variety of the art of syntaxial thought, ie thought thinking thoughts, and this essay I inserted about non-genre literature is this italicized qualification: 


A rough draft
for an ars poetica


And so with this grandee beginning, you'd think there would be all kinds of amazingly modernist surface and there is, but there is also the distinct pongue of the weirdo. Check this out, and tell me if it doesn't sound like jellybean weirdo:

and
there

sleeps
deep poetry

The mirror-paneled wardrobe washing down ice-floes
the little eskimo girl

dreaming
in a heap
of moist negroes
her nose was
                  flattened
against the window-pane of dreary Christmases

Now that is fairly challenging as a line, and the tension of expectations
that Cocteau sets up is great, nose pressed up, as if excitement and dreariness
are exchanged, or in thematic terms, the grotesque as represented by things like
the world turned upside down, the topsy turvy idea.. at any rate.

dreaming in a heap of moist negroes

is certainly premium pond farm pesto for your crunchy and toast-like cortext-liner.

There are many such nods to oddity and wonder in the piece, and many toward
directly naming syntaxis as the universal principle which transcends order and chaos
and is human embodiment itself, but how absurdly and distractedly it is done. this is
so good:

it's your foot
of attentive satin
that I place in position
pink
tightrope walker
sucked up by the void
to the left              to the right
the god gives a shake
and I walk
toward the other side
                    with infinite precaution


In a way it is about reading, but it is also about following the single line
that is the single life, and single circumstance, the single and universal line
that is life.

At any rate, there are lots of wonderful poems in the book, and I think they presage in many ways,
many of the non-mimetic effects or narrative-odd stances of people like Clark Coolidge, and Jackson Maclow, and the best ones in the collection read like a cubist collage should work. Pierre Driu La Rochelle's poem  Tennis is wonderful, and begins with a potent ( i wrote poetant) image

Naked clarity
Whiteness that strip off
Lines

This line was for me the removal of the lines of the tennis court which really resonates into something like

game without lines loses internal categories becomes symbolic play
poem as words of wordlessness
tennis as ritualized dialectic, rhythmic
transformative, physicality as intention
to reveal the foci of intention..

Anyway, it is a great poem, and glad I found the book.

I also picked up a book by (and forgive my lack of diacritics)

Sandor Weores and Ferenc Juhasz.
This is a very interesting book, and I think tomorrow
I will enter in one of its weirdo poems from each author.

One is called
Coolie.
The other
I don't know
I may put in a section from
The Rainbow-Coloured Whale


These guys are a mixed bag,
but Coolie has "bean"..



Do You Know Antler? I've Never Met Him.

eros synchretic connestoga stoa
the FBI takes MAX ERNST
to get him to rat out that
COMMIE MATTA
sierra nevada pale ale
you like it
you like it
it's the rabbit's red britches

popeye and freud become one
sit under medusa scalp umbrella
solar power snake flutes lovingly
tenderize the air

Freudye, or Popoid?
Who smokes this connestoga pipe
which I imagine has cousins
with the spray cans.
you like it
you like it

little Sindhbad and Pegeen
whiskey splashed in Peggy's eyes
the place in all its wonders
and disappointments

perk would might appear
the hutch of its green electric saddle to flutter
as space to be structured like the unconscious
the rabbit's red britches

technology ology ology
looks denouement
toward the proud and twilight
hinther

no curbing excess
lack or other

perfect square tiles
come arcing softly down the slope
stair well
howdoya like that
we'll go up nesting in red oak
toward the coolest 11

wind chipper and thristly through
Ailanthus altissima

the rabbit in roller skates
heark heard the oaken flute dodo dodona

dodo
no curb
grass pecking
the updraft

connestoga sky snake kite undulates
we'd sit in the head
in the rectango lure box
where the eyes one whirred

whirredenly

surtangent

upside down we come sauntering out of the upperlip
through a keyhole
and go write on walking upside down
up the sweeping staircase of nostril's
downy edge

MAX ERNST BIRD MAN
BIRD SAVIOR

he laughs at our red pants
he stamps when the seals
come horking up like a plough
of brown satin foam

Franciscan Hair Cuts –
Cincinnati Beauty

a sleek mahogany barque
bears a steel orb
like an onion

and knights in silver velvet
man the long tongued rudder

some find leaf shapes
in the circuitry

some find ancient wasps
in the amber rollerskate wheels

Tuesday, April 26, 2011

torpsyontic synthurion