Post-Anything, Post-Everything, Just Blah-Blah-Blah (Doodad Dollies Dunnit)

Oh, please,
here is Monaco
in the 1950's..

Here, the seaside curio
and sporting auto-mobile,
an orrery, a metaphor,
a camphor, a gear.

Let's go gambling,
wear tuxes, and take the Hispano-Suiza
roaring between palm trees
where the nonsense of poverty
and the nonsense of wealth
collide

Pink mud clutching choral capers
like moss with a pebble caught in its fronds

a blood red brain
like a booger hangs
on a nugget of gold
with a beak like a chicken
fringed in periwinkle mold

Diamond Monaco, for
cheap gilt, the bartender
knows your name

hung over
we pick fabrics from a folio
and watch the polo game

Monstera deliciosa
will grow just about anywhere

indoors

even the absolute spirit
has its sick games

MERDEKA!

some bottles

merdeka begins the play
ubu gondwana unkle katakomb
a muskrat sits wieving
'viewing' its singular corn phone
a meal
it is the poor and righteous
below the vissage of the sugar skull
human over head

look how the poor musk rat
turns the kernal over and over

the hard blank kernal
mind / world / economy / nature
like a brain of Mercurochrome
hard
and scaly
and green

and red when washed out to sea
and sacrificed as merdeka
subtle panning
goat being

a chrome skull
has two holes for horns
through which a sort of paste is extruded

a paste in which the parasite makes its home
and one can see the apartments
of the families of the prey
as they move in long extruded curls

the muskrat stares blankly
at the impenetrable nut
or bean

hard
smooth
and finally finds
a small chink
or pit
which it starts to gnaw

cave refrigerator tube
if horn resounding comedy

"Guten morgen herr sleepywinky."

[Images of the Merdekans]
images of kris
lightning

ancient Bali
terraces

perhaps they drove ancient puppets
in royal spectacles

"What's happening?"

is like a silent spearbolt
sung through the muskrat's

soft
small
head

the grassy plain
its life began

chalk skeleton block segment
maskat rumi anon
picasso blue period family
paste
solemn
horn

ATLAS WORLD GOITER BALLOON

MASKAT NIB DRIVER
global pilot under ware
Mork and Cindy Brady
Maskatting

Nanu-Nanu

ATLAS WORLD GOITER BALLOON

Mass skat mork sending braid

jet fonce
flugging moot

generous
system
clade

goo
flux
phlan ala
MASKAT
KOOT

Crass Cold Leaf

to sleep under heaven as the caliph of all days
is the lie told white as foam by the ocean
of its spray

glass slabs hover and dreaming bodies link them
causing the whole chain to ascend

dreaming bodies bend
arcing
slow motion convulsed
by space's cousin
the species

specious
suscept
aspect

deliverable

through conduits of ocean foam
cylinders of hovering froth
the great caliph of days must swim
his hands cupping swimmers
a mask of milk
for a face of clouds

suspect
defining
order

Here is the finished bat painting...

A Rose Colored Snake As Name For Ice Laurel

windows come creeping through the cold
blue sky in their headlamps
the countryside concedes its frozen searchlight
the sleepers cannot thaw
and go on, O cry, O cry, and make these
laurels of ice for a lonely hovering eye

I count the dawns like minutes
and suppress the stars in a wheel
which I say rolls on in the deep
the laurel of ice is gleaming
and nice

Ptolemy, the charcoal, knew pillows.

a rose now floats frozen in the forgotten abyss
angels hiss it blindly away
in time small hands will ocean the space
moon reflected on face
what aimless fathoms descend its name

bright clean empty
the same
a rose colored serpent sheds petals
not skins

it is the name
of the ice laurel
windows come creeping

Human skin cells converted directly into functional neurons | KurzweilAI

Human skin cells converted directly into functional neurons | KurzweilAI

Brainskins!

Harold Dull.

Suibhne Gheilt

I.

He has haunted me now for over a year
that madman Suibhne Gheilt
who in the middle of a battle
looked up and saw something
that made him leap up and fly
over swords and trees
--a poet gifted above all others--

II.

How could a proud loud mouth
who yelled KILL KILL KILL
as he plowed down the enemy
--heads rolling off of his sword--
be so lifted up
(or fly up
as those below saw it
--wings beating)
be so suddenly gifted
with poetry
and nest so high
in Ireland's tall trees?
Is there a point
where all paths cross?
And why am I so drawn to him
that all my questions
seem shot in his direction?
     *And they ran into the woods
       and threw their lances
       and shot their arrows
       up through the branches*
What parallels could I ever hope to find--
my refusal to fight
(weaseling out on psychiatric grounds)?
my leaving my country behind?
my poetry?
     *and my wife wept
       on the path below . . .
       Oh memory is sweet
       but sweeter is the sorrel
       in the pool in the path below
       I fly down everynight
       to eat*

III.

Sweeney like the rest of us
would've been better off
if he had never had anything to do with women.
But the point of it lies hidden
in a pool of milk
in a pile of shit
for you to see
when a milkmaid smiles
Sweeney like the rest of us flies down
and when she pours the milk
into the hole her heel made in the cowdung
Sweeney like the rest of us kneels down and drinks
and dies on the horn the cowherd hid in it.
So before you have anything to do with women
remember Sweeney the bird of Ireland
lying on his back
in the middle of that path
in the moonlight.

IV.

And on my way home
                                  this morning
(my wife
             waiting)
my shadow
                 racing up the path ahead of me
I saw something
                        (a black stone?)
thrown 
          at the back of its head
ducked
            and spun around
so fast
          I almost fell down
-- it was a bird
                       flying into a tree

V.

No good could come out of this war
out of what burns in the heart of our highly disciplined
John Q. Killer as a whole village bursts into one flame--
the villagers streaming like tears towards the forest
cover his helicopter's blade blow the leaves off and
the flame towards . . .

as we sit in front of our bubbles watching our president
(whose bubbletalk no one can escape and he is a little bit
mad--calling the reporters in for an interview while he's
sitting on the bubble having a bubble movement) and first
lady climb into their big bubble bed and Lucy, born of
their own bubbles, crawls in between--
      *Mah daddy has so many troubles
        turning the world into a bubble*
and sick of crossfire--the cries of the women and
children flying over his head--he stumbled down to the
riverbank and found, the wreckage twisted around the tree
behind, his skull . . .

Noises, there are noises, noises that can of themselves drive
a man mad--NOISES!

but last night the Stockhausen penetrated from the four
sides of the auditorium, stripping each layer of feeling
and thought until all that was left was something the size
of a nut--so tiny, so hard, so impenetrable it was alone
in the middle of an infinite space . . .






--Harold Dull

fr. *Stony Brook 3/4*, 1969
and in *Open Poetry: Four Anthologies of Expanded Poems*
eds. Ronald Gross, George Quasha [New York: Simon & Schuster, 1973]

"Wily Beguiled" is Evidently a Revised Play...

Give them to the homos, Werner Herzogs
laminarr flow
liminal, so
dumpy
Thor-Dumbo

and now,
sentencing's something
for the lactating rabbit chief:


Roman soldiers
at a distant outpost in the Dacian hinter
in the dark and Thracian Winter
of Dacia Trajana

meet a thin black haired woman
who approaches from the Trascau carrying
a burning bugbear cenacle

the infant Grazzini
this fate child
a mock conjuror sentenced by Odin
to forty years
at suck on the teat of Vampirella
must have coffee
crow black eyeballs of coffee

Bullbeggar
or gibberish in the pretended charm
The Romans approach
carrying a sweet unleavened bread
which they dunk
in hyper-history called

"Wily Beguiled"
"La Spiritata"

etc...

The Romans
at once, like fangs bared in the snow
and like the red pistils of amor
or the eyes of foxes
in the Gentillian dream

Gentianinae
cosmopolitan genius:

Humans
European rabbit
House dust mite
Silverfish
Vanessa cardui
the killer whale
Basking Shark
Brown rat
Peregrine Falcon
Osprey
Cockroach

o Endemism
o Gondwanan distribution
o Holarctic vampire priestess

you whose fangs of garlic
are used to play the harmonica ears of Dumbo-Thor

weird fat black swollen bladder
the asana called

upward dog
an erection
caused by Roman Mimis

Give them to the homos, Werner Herzogs

thick outlines of whatever you want
I'm Christ on a Donkey carrying the real Savior (ie Savantine)
one, Abraham "Abe" Sapien

the young fish roman ordnance
gilled to the beast legg in buggbear
our Cenacle and Cenotaph remain
to perform this

Commedia Erudita

ABE BUGGBEAR SPIRITATA GRAZZINI
at suck on the nipple fang
of Giasiulinia

In 1540 he co-founded
the Accademia degli Umidi

("Academy of the Humid")

Grazzini was temperamental,
his life consequently enlivened
or disturbed by various literary
quarrels.

His Umidi brethren expelled him for a time,
because of his ruthless criticism of the Arameans,
a party of academicians who maintained
that the Florentine language was derived
from Hebrew, Chaldee, or some other branch
of the Semitic.

He was readmitted in 1566,
when his friend Salviati was consul.

II Lasca ranks as one
of the great masters of Tuscan prose.

His style is flexible
and abundantly idiomatic,
but without affectation.

It has the force and
freshness of popular speech,
whilst retaining a flavour
of academic culture.

He rides a wild dumbo
through the deep and Dacian

hinterrrrrrr......

In a Landscape Fonssagrives is Clamming [A Retort of Sorts] [...]

James
Clerk
Maxwell
strongly
opposed
Darwin's
theory
of
evolution.

Armand
Schwerner
begins
his
Gloss I w/:

kiki's stylized abstraction
precede's garbo's dramatic individuality.

Punctuated Equilibrium
in terms of the work
of Margulis and Sagan
might be effectively
translated into the
chthonic acts of consumption
which form the foundation
of our understanding
of protoctistan omnisexuality
and the normalization
or especial laterals
enjoyed by nuclear organelles.

"Nature makes no leaps"
as compared to
"Art adores the leap"
might both be said to co-inhabit
a semiotics whose temporal origin
can never be definitive, a semiotics
enjoying an instrumentality not unlike
the game called "Pacman"...

Armand Schwerner's Seaweed eschews both
the systematic metaphor, and the metaphoric system
and remains within a special case of parody related closely
to Swedenborg's correspondences as evidenced in works like
the Arcana Coelestia.

If Armand Schwerner's Swedenborg is Semiotics, then
Jack Spicer's James Clerk Maxwell is Pacman.

Charles Darwin is Greta Garbo
dressed in Seaweed.

Happy Bouncing Amoeba

Veristic Hypercubist Arcimboldo Head

Non-Haiku for Basho..

the old cat now sunning in the morning patio
looks up with eyes closed
distant sound of leaf blower
closer, a mockingbird

the patio I know is painted grey
but the sun has washed it white like a gleaming stage
upon which notions of mind might stand
like furniture stretching shadow

it may be the biggest thing
I could give this fellow being
a cool quiet morning sunning
listening to birdsong on the patio

Thomas Merton, 1966.

There is nobody in the stars.

fond dew (chi's whish)

                     _
                    /\ \
                   /  \ \
                  / /\ \ \
                 / / /\ \_\
                / /_/_ \/_/                _
               / /____/\                  /\ \
              / /\____\/                 /  \ \____
             / / /                      / /\ \_____\
            / / /                      / / /\/___  /
            \/_/                      / / /   / / /
                                     / / /   / / /
                     _              / / /   / / /
                    / /\            \ \ \__/ / /
                   / /  \            \ \___\/ /
                  / / /\ \            \/_____/
                 / / /\ \ \
                / / /  \ \ \                 _
               / / /___/ /\ \               /\ \
              / / /_____/ /\ \             /  \ \
             / /_________/\ \ \           / /\ \ \
            / / /_       __\ \_\         / / /\ \ \
            \_\___\     /____/_/        / / /  \ \_\
                                       / / /   / / /
               _                      / / /   / / /
              /\_\                   / / /___/ / /
             / / /         _        / / /____\/ /
             \ \ \__      /\_\      \/_________/
              \ \___\    / / /
               \__  /   / / /                _
               / / /   / / /                /\ \
              / / /   / / /                /  \ \
             / / /___/ / /                / /\ \ \
            / / /____\/ /                / / /\ \ \
            \/_________/                / / /  \ \_\
                                       / / /   / / /
                     _                / / /   / / /
                    /\ \     _       / / /___/ / /
                   /  \ \   /\_\    / / /____\/ /
                  / /\ \ \_/ / /    \/_________/
                 / / /\ \___/ /
                / / /  \/____/
               / / /    / / /
              / / /    / / /
             / / /    / / /
            / / /    / / /
            \/_/     \/_/

and on that note, a Lebrecht Donkey, and a Girardet History Scene (and FANG)

Joe Baiza Interview and other stuff...

http://en.wikipedia.org/wiki/Joe_Baiza

Batnose Surfboard

green flounder batnose
green cobra batnose
green salmon meat surfboard
wet soft
having sex in girdles for soft rusted cars
rusted scars of green abalone pearl sheets
green cobra in pearl sheet trough
wanding down toward tumble stair orrery
batnose daybed
the wet warm nostrils cupping the buttocks

A Surfer stands on a low rise looking out to sea
soft felt like version of weather report cut out and
scattering doobie rolled last melody line of drunk injuns
saccharine trust

flipper
surfing into the beach where bare breasted
she holds up two batnosed cobras
two flounder nosed bat hyphen

hyphen
foam

long draw in scrawl of coastline
from high roadside perch
the breakers
a thin green thinking of painted debris
cloud casual inertia of breathing universal

silver salt
silver skin

hot ultra cold eyeball awake in sea
paddling toward its black canoo

moa moai angular above the anoa
I know I
cock park GTO and leak
some kid with a girl bicycle smoking
into its grey butter leaf batnose
ancient Tibet the gigantic underground wheel of surf
where thousand mile high waterfalls hit the massive spinning wheel
whose paddle function surface is frictive statuary

dakini mad thing
green batnosed flounder dakini surf salmon breathing
silver bat cobra prayer bicycle

cold eyeball wheels
green batnose
wet soft

baked
surfer anoa
shooting first curl
feet like otter song the captive decible
cranny
yelp or kelp head bosk

black seal the outward wash
at haystack rock
the soft hidden cleft
cold fickle sharky

krsnaflamme
in a / onna batnosed lantern
surfboard

Some new Hybercubist stuff I'm developing

That Works on Two Levels, Maybe Three..

a blonde slacker minimalist gym towel's
prosthetic prehensile amoeba tesselation armor's
simulated hybrid AI receptionist's
gangly pyramidal glial synthoganglionic
gangland pyschopiomp's
HO Rainforest's DND ranger character 

gives birth to a figurative glitch ringtone extruder applet
for post-i-phone-neo-geo-clonic-colonic-parasites
with dangling hodad API fondue Count McChocula IPSAT subdewdteens
doing electrohooktipi bubbah bathsalts into its
nabob natal glitter jelly mononostril script squid cache's
Randy Quaid dna-lava-helix genie lantern latte's
fitness center securitization gambit relay race
for scuba lessons from DARK SITH dingbat Rhizomispheres...

This Morning's Studio Update: A Bat!

bad picture, but, here is my new friend, THE BAT!

Some Junk that's goin' on in the studio and a recent Bryce goof..

Irronic Namings

Comte de Lautréamont

Comte to Comet
and laut to noise
or de laut to delete

A Comet like a mountain of rays
a ream of ontic comety

the "Royal" "Noise" of being..

tree mountain
noise tree mountain

Earth like a comet of noise-tree-moutains:

I replace mirror-calling by curvage, doubled by curvity, thespair by hopping, malons by grood, compliance by ditty, scopticism by foot, swordphishms by loud equinumity and prode by merdesty.

If word based mind is a honeycomb,

Then I am what is dripping out!

I am the honey and not the pot!

Languaged Odyssey

Fetishizing the materiality of experience, I said to my harbinger totem brother L+A+B+A+N+G

proto SIRIAN NOMMO

he give lace tent party
he show art fishing net out of water
give butterflies home
in silent grandeur

wake tiny pellets with water
save erotic dreams of fleshy beans
in poison coated glass
like glands

NOMMO hears me
Nommo finds the fox
in the hat box
pinning a brooch
the boroo

language can transfer the material to spirit
and spermirial the fur trains glow

what a mariacel
a curicle
a beesnobbed hyming

O Thlur
O Fibune
O Roonfauna

please select one
with your

"checkered pen"

The Great Wisdom As Transmitted Through Romantic Painting...

For they fear that irony dependeth an ire,
but what name was fire for a hundred trillion
years in Eiron? The Earth cannot hear the name.

And the Earth cannot know the fame,
for the Earth will never see what fate
that Eiron had in the deep black sea
and changeless changing of the quality.

Socratic Irony is that we are born,
and that we die, all simultaneously
in the blink, blink-blonk of an eye.

An hour or so, the ire to lift, what life has
been here in the vast and starry drift, and
what will come, and what if none, ever none
and is not that enough silent grandeur wed
aperfectly to irony?

And is it not Irrony, as in a Tyranny without
a cross, an unknown grave of slop and toss.
TELL ME NOW! as I clutch your collars close
to the neck and throw you down into the mud
and dreck, WORDS ARE NOTHING!
but pale shadows of finer things,
mullecules and shiny beings...

And nothing much more than the firefly's tail, or
is it just a splitting headache after a night of ale?
Of course words matter, and how they build;
building, building, building still...

But no crescendo can be heard by all,
for the universe is wide, and tall, and
deep, and small, and the hope is that
we learn it all, though doubtful is that thing
upon a single mind so vast, this generative oddity
and its sorry cast,  The Raft of the Medusa, indeed:

A ship of fools whose ocean's mead
depends an absolute grace
beyond definition, the quality
set loose on qualities.

Hat.

The Earth
is an ear canal.

H[ear th]at?

Pan-Rialto Lumi-Inflatabull (Modello Negro)

visbibla rhomaonna vaalars, what
glova floorshoa to tobsin aloor in rar figs
and broborilas azthing in rova's aloor,
th'ziggy-aroon panrulous phytoazozor...

/::\oo\                   \:\  /\ \/__/
         _         /:/\:\  \  _    ,      _    \:\ \:\__\
        / /\      /::\~\:\  \\ \  d  P   /\ \   \:\/://\/\
       / /  \    /:/\:\ \:\__\\ \ d      \_\ \   \::// /\ \
      / / /\ \   \/__\:\/:/ // \ \ Y     /\__ \   \/__/\ \ \ _____    __  __    _
     / / /\ \ \   Y p \::/ ///\ \ \     / /_ \ \   / / /\ \ /\___/\ /\  /\  /\ /\_\
    / / /  \ \ \   "  /:/ ///  \ \_\   / / /\ \ \ / / /  \ /_/ _ \ \\ \ \/ / // / /
   / / /___/ /\ \    /:/ ///    \/_/  / / /  \/_// / /   / \ \(_)/ / \ \__/ / \ \ \__
  / / /_____/ /\ \   \/__//          / / /      / / ___ / //// _ \ \  \__/ /   \ \___\
 / /_________/\ \ \  / / /________  / / /      / / /\__\ /(/(_( )_) ) / / /     \__  /
/ / /_       __\ \_\/ / /_________\/_/ /      / / /\:\_\\ /\/_/ \_\/  \/_/      / / /
\_\___\     /____/_/\/____________/\_\/_,oo.  \____/::\__\   __o.___,oo_ _,oo  / / /   /
                                  ,oo.___     /\  /:/\/__/                    / / /___/
     _____    ______    __    ____   /\__\ YPP\:\/:/  / "'i'''' '' "i  'i'   / / /____\/
    /\___/\  / ____/\  /\_\ /\_____\/:/ _/_    \::/  /\_\/\_\ _    /\_\/\_\ _\/_________
   / / _ \ \ ) ) __\/  \/_/( (  ___/:/ // __/\  \/__/ / / / //\_\ / / / / //\_\
   \ \(_)/ /  \ \ \     /\_\\ \ \_/:/  / )  \ \    /\ \/ \ \/ / //\ \/ \ \/ / /
   / / _ \ \  _\ \ \   / / // / //:/__/ / /\ \ \  /  \____\__/ //  \____\__/ /
  ( (_( )_) ))____) ) ( (_(/ /___\:\  \ \ \/ / / / /\/________// /\/________/      _
   \/_/ \_\/ \____\/   \/_/\/_/   \:\  \ )__/ / / / /\/_// / // / /\/_// / /    _ /\ \
  _____                    _____   \:\ \\___\/ / / /    / / // / /   ___/ /      /  \ \_
                                    \:\__\    / / /    / / // / /   /\__\/      / /\ \__
    __`''iiiiiii'''''i''''''_    ____\/__/ __ \/_/ _____/ / \/_/   /:// /   d  / / /\/__
   /\_\/\_______)\  /_/\  /\_\ /\_____\/_/\__/\  /\_____\/        /:/__/    Y / / /   /
   \/_/\(___  __\/  ) ) )( ( (( (_____/) )/) ) )( (_____/        /::\  \ ___ / / /   / /
    /\_\ / / /     /_/ //\\ \_\\ \__\ /_///_/_/  \ \__\    _o   /:/\:\  /\__\ / /   / /
   / ___( ( (    _____ /  \ / // /__/_\ \ \\\\\\ / /__/_   8    \/__\:\/:/  / \ \__/ / /
  ( /\( \\ \ \  ) ____( /\ (_(( (_____\)_) )\\\\( (_____\            \::/  / \ \___\/ /
   /::\  \_/_/ / /\_/\\\  \/_/ \/_____/\_\/ \_\/_\/_____/            /:/  /   \/_____/
  /:/\:\  \   / /_/ (_\ \  ___       / / /   / / /       Y     \ \  /:/  //\ \
 /::\~\:\  \  \ \ )_/ / / /\  \     / / /   / / /   ___ o    /  \ \ \/__//  \ \
/:/\:\ \:\__\  \ \/_\/ /  \:\  \   / / /___/ / /   /\  \    / /\ \ \    / /\ \ \
\/_|::\/:/  /   )_____(    \:\  \ / / /____\/ /   /::\  \  / / /\ \_\  / / /\ \ \
   |:|::/__/               /::\  \\/_________/   /:/\:\  \/ / /_/ / / / / /  \ \_\
  /|:|\/__/)\ ___         /:/\:\__\             /::\~\:\__\/ /__\/ / / / /   / / /
  \|:|_ |__\//  /\       /:/  \/__/       ___  /:/\:\ \:|__|/_____/ / / /   / / /
   .\|__|   /  /::\     /:/  /::\        /  /\ \:\~\:\/://:/\ \ \  / / /___/ / /
 ,--.' (\  /__/:/\:\    \/__/:/\:\      /  /:/  \:\ \:://:/\:\ \ \/ / /____\/ / ___
 |  | /\/ _\_ \:\ \:\   /  /::\,--,    /  /:/    \:\/://:/\ \:\_\/\/_________/ /\  \
 :  :_:_//__/\ \:\ \:\ /__/:/,'__/|\  /__/:/  ___ \::/__/\:\ \:\              /::\  \
 :  | |-,\  \:\ \:\_\/ \.--. |\:|/:/ `|  |:|'/  /\ ~~ \:\ \:\_\/             /:/\:\  \
 |  : :/| \  \:\_\:\  ,'_ /|\:_\.:|   |  |:|/  /:/  \  \:\ \:\              /:/  \:\  \
 |  |  .'  \  \:\/:/  |  ' |/| /./.   |__|:|__/:/    \  \:\_\/             /:/__/ \:\__\
 '  : '     \  \::/   |  | '_|/:| |    \__\::::/      \  \:\         ___   \:\ _\_/:/  /
 |  | |      \__\/    :  | :_;\/; |        ~~~~        \__\/        /\  \   \:\\_/:/  /
 |  : \               '  :  `--'   \          ___                 ___:\  \   \:\/:/_ /
 |  |,'____      ___  :  ,    __.-./_        /\  \      _____    /\:/\:\__\ /:\::/__/
 `--'|\    \    /\  \  `--`----'\    \      /::\  \    /\    \  /::\\/\/  / \/_\/__//
     |:\____\  /::\  \      /::::\    \    /::\:\__\  /::\____\/:/\:\:/\ /    /:_______
     |::|   | /::\:\__\    /::::::\    \   \;:::/  / /:::/    /:/  \:\__\     \/::\    \
     |::|   | \/\:\/__/   /::::::::\    \   |:\/__/ /:::/    /:/__/_\:\__\    /::::\
     |::|   |    \/__/   /:::/~~\:::\    \   \|__| /:::/    /\:\  /\ \/__/   /::::::\
     |::|   |           /:::/    \:::\    \       /:::/    /  \:\ \:\__\    /::::::::\
     |::|   |          /:::/    / \:::\    \     /:::/    /    \:\/:/  /   /:::/~~\:::\
     |::|___|______   /:::/____/   \:::\____\   /:::/    /      \::/_ /   /:::/    \:::\
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  /:::/    /           \:::\    \ /:::/    /   \:::\    \   /:::/    / |:::|____|     |:
 /:::/    /             \:::\    /:::/    /     \:::\    \ /:::/    / ___:::\   _\___/::
/:::/    /               \:::\__/:::/    /       \:::\    /:::/    / /\__\:::\ |::| /:::
\::/    /          **   **\::::::::/    /         \:::\__/:::/    / /:/  /\:::\|::|/:::/
 \/____/          /**  /** \::::::/___ __ __    ________::::/    / /:/__/  \::::::::::/
          ****** ******/**  \:::://__//_//_/\  /_______/\::/    / /::\__\____::::::::/
         //**//*///**/ /******::/_\::\| \| \ \ \__.::._\/:/    / /:/\:::::\__\::::::/
          /** /   /**  /**///**~   \:.      \ \   \::\\\:/____/  \/_|:|~~|~   \::::/____
          /**     /**  /**  /**     \:.\-/\  \ \  _\::\~\__         |:|  |     |::|    |
         /***     //** /**  /**      \. \  \  \ \/__\::\__/\        |:|  |     |::|____|
         ///       //  //   //        \__\/ \__\/\________\/        |:|  |      ~~
                                                                     \|__|

Fundoomundalasms Ragey Pagey Hoopooe Quatzoans

Sveld Miela, would that your rhombonne veelers should
find the phytobezoar-lined pulpit of my heart's glove, that
uvulous, pendulous shaggy-broon of  C40H64, and
whatever you think this voice means, yum yum gloppy floorshoe,
show haloy kumper my passe'  nonfluorescent polyene
with slougi rumpus menomon whose modello gammerstang
broots such ovoid nut-brilliant tocsin, blood red figs falling torridly
on a transparent drum housing baby albino crocodiles
bathing in dove's blood..

Let us corfodle
among the jime grass futoyans
these musicians have stiff and stylized nooses
made for triquadrafortonic bassoonia,
wooden rocking rocking horse grasshoppers
that go wamoopa moopa
shuffling on rubber grommet extruders
tipper tapper leaves
a black rubber doughnut trail

the dumbness of death
and life
all summed up in a mouth

kissing
singing
chewing

and silently
drifting upward
in the waterfall
of mazey and colorless compounds

ex prima extimæ faciei inspectione quivis abditas vires assequatur

"shub-thrang's viscicle"

TELL ME!

Architects! Where Is Your Vortex?


Where is your cameo mole, 
your hastening puzzle-bone 
jade-ivory-alabastar armor
with inflatable tumor bean 
antenna?


Architects! 


Whither is your slithering 
banana bat butterfly cathedrals
whose interior has hot-tubs 
made from huge moss-slicked 
gnarls of wood like cartoon lips, 
hottubs that are in fact swirling 
vortexes?


Architects! 


Where are your Robotic trompe 
l'oeil lima-bean hydra balloons
with luminous vagina-tongue 
staircases?


TELL ME!

ABTUR-TURA

It was mentioned in the entrails' angel, Abtour-Toura, Narcoriel, monstrous reptilian wells that Lemegeton used in Conneticut. He wands and cubits the mistletoe in evil-eye, garnishing the ritual of arc where stone serves stone to venhelmish the names:

HEKIKOPS PITIPONT LOMUPIS DUKOST PISDIMISUT SHUHALOT ROHUMOT WAHULYPT LAMSETUMAPOS SHOKILILIT
TWIRSEP KUPYDOT ~

For years he believed that he was a symbol, and in the last dog days he became the master of a damaged angel who was produced by Narcoriel in Drelmeth's chic Park Avenue dolmen. He paid taxes to the precedent with his body called Cornwall Greenbaum, and assumed any kind of ritual an invisible cold said to be the personified body of this damaged angel site mentioned in the entrails' angel or at France whose hands wrestled at Corydon, and the Draci female Persian mentioned where stone serves stone to fongrelmish the names:

DEMIPOSIT MORYPUT PESYOT HESUPT SHUPELET KITYBOT PUSUYUT DEMOPIS BURIWULIHUTI HUKUYUKUTU TOROKILIT PUPET PORUYESUHATI

Now Odin's assistant Kabbalah Daughter A whose goal is to God as Adam is to morning lept down from Lemegeton with the words SOULIS and HERMOD, and began a magical invoking, a philosophical water to nourish the holy Wood in its highest Orungan. Then she murdered a Malaysian Hydromancy mentioned in the Aztec Nettesheim [or NETTERSHEIM] which had an underworld where Hiniel the voodoo of one Dardariel Iamariel Vide Hewitt, originall OF ABANO gave one good quot (quod vide):

Hugin is of excrement, and Helsedai excite Puritans to exit the Egyptian goddess, a deity found on a Colombian moon. Bloodless Yemaya, the Evil Eye, is a Hunter in Brazil. I abolish all Rite Pullets, LA SIRENE is my name, and I am the actual demonic polyglot mentioned in latest latin variety issue of lignite the Peacock special ritual.

Hockomock establish one world, and assumes all latent forms are conquered. What is invoked from here is mentioned by an angel, Hirsig, whose human form is a shrouded corpse. Odudua is another name with which to name the hysteria of the goddesses, but only Hestia's Solomon went from medicine deity to the ancient midnight during our prayers of amber and Hockanum's nest. A witch took over Illuyanka Iraq, on September 14, 1486: Pyramids were shown to the priest as high female Norse goddesses. One, Iemanja, became the sole power in Bavaria, and said:

"The Invocation dog was named temple."

A Houngan from a Norse Chinese sun became the only deity and communicates using Candomble to Hiepacth on a hurricane singing the Saga of the Kabbalah from Hun-Ahpu-Mtye and the Pazuzus. One finds graffiti: Salem Gilgamesh Humots Afreets for Iguma Spirits.

A Greek moon goddess called Herachio said a prayer/ritual called European goddess which made an all powerful sun god called Hispen, whose Cherokee earth-goddess candles were participants of "The Lesser Key of all fire" which is mentioned in a Conjuration of Hepatoscopy using the liver messenger on Von Maori Demon Amulet's talisman. It makes good Pullet.

Hochmel likes their flesh...

A nude Lemegeton (Lesser needed human Graeco-Egyptian polyglot) had another name for the used corpus of Hod whose ultimate goal was a hideous animal made up of demons from the salt sea [Heinrich]. One of the seas was CERNUNNOS who used in name, but in actuality was standing. He used destructive unclean witches in Scotland for salt from Boston, a Cherokee blood son of Jean the Egyptian written by a woman Dalmatian daughter god with Invocation attendants.

How would it all work out thought the Hilarious Babylonian Devil Traps ALIYOLUTE Elizabeth Another Abtur-tura when the rituals and the birth was a precedent to muteness, a prayer/ritual that "jets" "a hard one" to form the mentioned, or what came in to Solomon quatoed by a demon moon goddess called "Hunthaca is the bird King of Angel's Henbane Hestia majesty."

Hoder's entrails contain moons of a flying Persian origin. Need more names of God, or Hina, the Graeco-Egyptian polyglot snake? Why not Hermakhis the blind man? Use city for strength. Humbaba is supposedly an Algonquin Indian, or Dark God who uses conjuration to flome the godhead of Iabiel, the Homosion "quirus" (quirim). We put many stone gods in his crest. Hocquan loves Hobomak. Can I get a witness? Live in beautiful Cuthah and Niffar, and practice "fitness," a dark magical pain and sickness spell which brings about a "Frank Countenance."

The countenance vignette, in fact (graffitoad).
These are the end-times [KEEP ON TRUCKIN']...

Mingi telefon nummõr täddõn um

                      _____                   _______
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// / /\\/_// // /   // / /       \  \ \      / /  /\/____/ //  / /__\\/ // // /___// /\ \       // / /
// / /\\/_// // /   // / /       \  \ \      / /  /\/____/ //  / /__\\/ // // /___// /\ \       // / /
  / /     / /  /   /  / /    _    \\ \ \    / / //   /  / // // /______// /  /______/ /\ \\    /  / /
// /     /_________ // /______/\________   / /__    /___ // /___    ___/ /___________/\ \  \  / // /
__/     /(___//\___)__//_____/\/(___/__ \// / ) )) /(/((// / \\ \  /  / / /__ (     )__\ \\_\/_/  /   /
        \/_/ ))/)_____(_(__  \___)__(__) ))/_( (   \/)//)\/_/(() \/ (()_\____\/ /\  \____//_/\_\//    \
        \/_/ ))/)_____(_(__  \___)__(__) ))/_( (   \/)//)\/_/(() \/ (()_\____\/ /\  \____//_/\_\//    \
            (  (       ) __))   (     __/     ) ))  ( ((     // _  _  \      ( (__)) )
             )) )     ( (        )  \ \  __  ( (     )  )   /  / \/ \\ \   ___)     (         .___
            (  (       \ \____  (____\ __))_____\\__/ ____.__.. ______\_\ |  /| __   \_____   |   |
            /___\       \_____\  \__)\/_///\__\_\\___<//  |/ || \__   \ \)|//_|/ /))_/\__  \  |   |
            /___\       \_____\  \__)\/_///\__\_\\___<//  |/ || \__   \ \)|//_|/ /))_/\__  \  |   |
                                  \\   /    / __  \_  \\___  ||  / ___ \_ |     <   \  ____/  |   |__
                                    \_/    (____   /  // ____|| (_____  / |___|_ \   \___   > |_____/
                                                \\/   \\/             \/        \/       \\/

The Pity

The iron box begins outside the city, but looks like a lead prism. It runs first, from field to field, until it joins in beside its first road and continues toward the outskirts like a thick dull wall angling away from the tarmac and macadam. A large project, it blocks off cross-streets and cuts through houses, some little bridges have been assembled to hop over in places. "What goes inside?" It crosses the entire city rendering the place enlightened,
and at the end the iron box becomes a stylized cape, and its fine front edge touches across the shoulders
of a large Edgar Allen Poe, also iron, but white, upon whose forehead sings the phrase:

uncouenable chaines into armed flask

The Riuer-waking-Serpent to make sleepe, 
Whose horride crest, blew scales, and vnces blacke, 
Threat euery one a death.  ~Heywood, 1609



oure thyng rives them
with the terribil gladnes
for too much story stooles
fremescent no gowdy and 


all hee heel what gow hoyseth
of heels ower river kyng 
hath this too his ony gowlere


and with out dayes for hoo
hart of stone or of heels 
ower river freke y-felde sobs 


to the unkuowthe at 
mownt þiself to uncouenable trees 
he lives at present in loo


in the quality of chief fontanier &
freams and skrawling þrou hedge flask
with stopping said to one uncouth


if them had finished trassh fro
when clangour comes utter 
that which skye brays splitter


who ropes froes
his nationals wrong a-wey 
i've got to go laid 


mine honour vnto what
 haue wych is whatsoever
caused to ascend freake good

of water which and freke y-felde sobs
ony gowlere to ascend with brays
fremescent clangour the skye a-wey


 his the fro to utter his father
a river froes chaines gowdy 
if þou of the not þiself


and skrawling no out 
of laid mine ony
wrong good bere


and had finished 
the armed thyng 
unkuowthe fontanier


==


see ign wot 
its pip myopia thringler
deuda feuda and fedula


king freake federal our coven water
tease gowse femur threen givingly
wrong ony to hart stone laid


thine the hedge of water
fonnish the source and original first
what err listener fonkin if thou couldst


the funduck scapegoat scopcoat
in which hot amalgamation is practiced
symeon tuix his handes fang


felly fangis it a torch
fanfarrado all heel goweth
in the quality


these gowns of grograyne
english in the art
her aunt that wears eternal black


gaming houses
shrewd
not to boult it [the flour] 


soe sore uppon 
the gurgeones of brainn
blues boxings sharps


scuftings pollards
seconds middlings
nes his pitaunce 


o rode bute 
a sponge of galle
than washe your shepe there-with


umbonated
the stade spondeus foote
neowran wyrttruman


delf up
twit nixon
beep i doo

coon coin carne' curse

cohen khan coven

cooin' karneddy cœurs

many vertues and wonders
winstram spocking spool
we knowe wele what pardon wee shull have


i brought half a fou 
o good red goud 
out oer the sea with me


hurry up tovaritch and 
tape good the mouths
fecht and gangs aff with a snarl 

Focusing On Disorder

Ian S. Osborne The ability of high-end optical microscopes to image the smallest of features is very much dependent on the quality of the lenses. However, the preparation and milling of the best-quality lenses add a hefty premium to the cost. In a somewhat counterintuitive approach to improving resolving capability, van Putten et al. explore the use of lenses that are completely disordered. Laser light hitting such a disordered lens creates a random pattern, or speckle, of intense, highly focused spots. By manipulating the wavefront of the laser beam with a spatial light modulator before it hits the lens, the authors show that the multiple spots can be made coincident, thereby forming a spot smaller than that from a conventional lens. They then go on to demonstrate imaging of gold particles with sub–100-nm resolution. Such an adaptive optics approach might prove a useful and ultimately cheaper method of high-resolution microscopy.
Phys. Rev. Lett. 106, 193905 (2011).

Ambiguous Evidence

Gilbert Chin Two of the methodologies used to compare the efficacies of treatments are randomized placement of participants in experimental studies and statistical or propensity matching of participants on confounding variables in observational studies. Both approaches have their proponents and might plausibly carry comparable weight in evidentiary assessments. Bastardi et al. developed a scenario in which a matching study (in comparison to a randomized one) was described as favoring home care of children to one group of participants, whereas a second group of participants received the information that the matching study favored day care. All of the participants were soon to become parents, and their preexisting belief was that home care was superior, although half of them were intending to use day care. When confronted with these scenarios in a crossed design, those who intended to use home care for their children did not judge one methodology to be more reliable than the other and maintained their stance about the superiority of home care. On the other hand, the internally conflicted participants (that is, those who intended to use day care) did regard the matching protocol as better when it favored day care, and this sufficed to shift their belief to the point where home care and day care were viewed as equivalent.
Psychol. Sci. 22, 10.1077/0956797611406447 (2011).