Monday, February 7, 2011
Entelos Argent: Blue Macaque Quelcort
The sentence reads,
Intelligence leaves
a chilling legacy.
The smooth and polished
stone, like a ball
at the base, articulates
into hollow branching
tubules, Tut, and
Danube.
Their blue faces turn,
flashing through the
narrow openings, which
appears, only, exactly
right, their manes,
the sentence reads,
whereas soft geodes
are turned inside,
out, choosing sides,
the long strings
of gems, sophomores,
echo through the forest.
fluorjaguars know
how to escape
inside the bodies
of gem ankhings.
cas blos
nus mul nom
os mult tlep
ipi tlep tu hus
mol jul
no setness nut
Nibiru Aqua-Booty
hand on egg
take
egg hand
take
heart
connect
direct
to ovipositive
Oannes needs tamale
earth females
clue queen
clue emperor
look egg
woones
Rare Films
Flea Tank! (orig. FR title: Voler dans les airs, une puce!)
1966 FR A group of psychic teenagers recieve strange
visions of a dead inventor's secret laboratory beneath the
Eiffel tower, and use his "flea tank" to save the world
from an evil madman named Gombo Donquin played by Bernard
Le Coq. 99 min. [subtitled]
It is Hate, My Eye
1973 UK A creepy, but lovable hermit builds
a giant castle out of milk cartons and floats
on the sea for years eating fish and diving
for sunken treasure. Geoffrey Horne stars.
110 min.
Snake Love
1958 IT Love story set in ancient Rome between the
prophetess Sibylla and Lucius Tarquinius Superbus,
the seventh and final King of Rome. Special Effects
include a giant snake with a temple on its back, and
an orgy held on top of a nest of giant snake's eggs.
Carlo Dapporto, and Rosanna Schiaffino 98 min. [subtitled]
1966 FR A group of psychic teenagers recieve strange
visions of a dead inventor's secret laboratory beneath the
Eiffel tower, and use his "flea tank" to save the world
from an evil madman named Gombo Donquin played by Bernard
Le Coq. 99 min. [subtitled]
It is Hate, My Eye
1973 UK A creepy, but lovable hermit builds
a giant castle out of milk cartons and floats
on the sea for years eating fish and diving
for sunken treasure. Geoffrey Horne stars.
110 min.
Snake Love
1958 IT Love story set in ancient Rome between the
prophetess Sibylla and Lucius Tarquinius Superbus,
the seventh and final King of Rome. Special Effects
include a giant snake with a temple on its back, and
an orgy held on top of a nest of giant snake's eggs.
Carlo Dapporto, and Rosanna Schiaffino 98 min. [subtitled]
Stylites
Reading aloud from a translationally nameless 1929 Modern Library edition of Flaubert's Salammbo last night to Kara, I was struck by what a perfect model it is for visualization in its role as the streamer of so many still-lifes or tableaux. Food set out at a table is perfect setting for the nature morte, but as I was getting the barest outline of this yesterday, it was as if I was remembering something I had already heard, but the something was 'quite other' than the beginning. Nature Morte became something other than jargon, and also, as under cover, a phrase or assumption began to tingle in its presence as like to: Humanity inhabits nature. And then there began something like a computational string which said more or less, The Earth, or Nature, now inhabits us, and of course this isn't completely true, but human nature has grown, and thus Nature shares more of herself with our nature. At any rate, the thoughts are all gone, and there was some material about the marginal being the center, but it's all gone now. I'm sitting here wondering if this 1991 issue of the Hollywood magazine called Exit. This is #5 is worth anything. It has original art by Raymond Pettibone, Steve Cerio. Articles by John Aes-Nihil. This is sort of an underground classic. The Pettibone piece is especially interesting as it contains samplings of random literature coupled to shadows of various invented penises. It never says they are penises. It is called "The Hidden Organs". It's quite ironic and lyrical in its way. I am still amazed at the rise of Pettibone.
http://en.wikipedia.org/wiki/Still_life
Oh I remember, It was something out of trying to explain how I got from
The Tao to Katatronic..
Cathode = Frog Table
(I guess).
http://en.wikipedia.org/wiki/Still_life
Oh I remember, It was something out of trying to explain how I got from
The Tao to Katatronic..
Cathode = Frog Table
(I guess).
Bumptious Echoy
its krater were fuzzy and green
at the behest of a swarm of
my shinys
mother at the window
in jeans
looking dawn
where the candle
factorings
its krater
its krater
were a sieve
and had a home as its base
would snap to a wheel
and the wheel would spin
and the krater did too
flinging momentary jelly letters
into memory
these two historical models
are close
pictorialism rushing
abut the but, but do
consider wild weeds
frozen as ceiling the surface from
below the stream
and green kraters spinning through
as elevators, or shoes
if all of the instrumental
were a green and eloquent
radiator
no mustys
no faustys
my shinys have a home
inside the glass filigree bulb house
whose positive pressure creates complex
bubble windows on the surface
as it glides down strong smooth silent galleries
of wild tangles of leaf thin colonnades
we are sitting there happy
and big headed
waiting for our grools
at the golden
frog-legged
table
Saturday, February 5, 2011
In the great order of its privacy...
I love my parents. With my
wife, they form the trinity of
my three best friends in the world.
None of them understand me
completely, nor I, they, but
neither do they judge me too
harshly, or harshly enough,
or I them, either. We all get on
quite amiably, and cheerily.
Unfortunately it is usually
me who rocks the boat, but
never too much, or at least
not much anymore.
The older I get, the more I
tend to just sit around and stare
at things. Earth is itself, I say,
in memory of the Tao,
Katatronic...
wife, they form the trinity of
my three best friends in the world.
None of them understand me
completely, nor I, they, but
neither do they judge me too
harshly, or harshly enough,
or I them, either. We all get on
quite amiably, and cheerily.
Unfortunately it is usually
me who rocks the boat, but
never too much, or at least
not much anymore.
The older I get, the more I
tend to just sit around and stare
at things. Earth is itself, I say,
in memory of the Tao,
Katatronic...
Mondo Imaginalia
The figure cannot be reduced, its self-
displacing limbs whose feathers signal
some data to begin; can there be a prisoner
at the center of a blissful eternity?
The figure cannot be reduced, and the
center, a configuration whose figures,
combining into questions, modify the
whole, so that where there is a strain
moved into gap, or stain, there is the figure
moving, and we fill up the mold.
The figure cannot be reduced, as when
the multisingular confines its final destination
as the host, a para-site lingers over, and
the host remains, to oppose itself further
before the odds of its own chiralic endeavor.
The figure cannot be reduced, as the mind
of matter is not concealed, so configuration
must result, and before its seals we place
our lease, the same unending quiet that disappease,
noise brought forth omen from the nameless.
Friday, February 4, 2011
PARATATUHAWA
SAI-TA-JASA-QAPU DADOJAKAKUME PHAN NANIPAPIQAQE PHAN KU KUSA-RO-QEOLIVI KUQE-KU-REDI-KA-KIPA-DU-ASEPUDINAU UKEWOTOWERIKAPI NOWAMETI SI SARE-SEKA-U-DE-TAVaE-KA-PA-QEPA-SE-JAVIRSE KA-U-ZU-NIMA-SI-DU SULAXOZEU DAWKAWYAWYA DAOX YEDAOEAS I-TI-SA PA MIJA-RA SU-PA-RAU-MI-NA-SI ASI-JA-KAVAS U-KI SARE QAREPU PHUNEXU EIKOPHANAISUMURORA JOEAROTA I-SA-ROSE PA-SA-RI-JA RU-ZU-NAKA ME-ZASA-MI GRAPA NI-RAKI-RE ZUKA-RO-PA KRAPUTI AMIPOPE IQEPOSIMA ME-ZA KU-ROKA TEJI-DU-NE-SIa SU-DU-RI-TE KIMDEWMEKAI PHAN A-RUBOLEKI DESUI Perna SU-PU VASSU-PA-RA FIC MIJARU KO PARNAKA KUWANASARAHARLI HARLIPAWATA SARAIRAI AIA VE KU-RO OLETA-NA-TIK SU-ka NANOLIPEIXI MAILOITEIZU ZEUSU YAWU SI KI-ROO-RA-DI-NE SUS JA-RE-MIDA-RE PANI WA-JA-PI- STEHPENA PEINO NAWSITEPO IZUMAI KA-RO OLEKI JEB JA OLEKI jarJa VASSHU TE DA-RE DIMIJEPA PURAQINUDA MIJARU OLEU DU-DA-MA SU-PUon onSI-TU-RA-REVa JE MA REKU-PA-RI-JAKI NEPA PAPENADENE URASE WEKESARU PI-TA-JADI SAI-TA-JA JA-DUKA TEREOJARAKO JUKFU QE-TU-NE mers ZA NE-TAJELOLEMI SU-DU RARERORU APHANI SASETOTETI HUHAPHANI KA TARHU SCALAPRUMI ATINO MARUVAS HOMKU-ROTI-NI-JU VAS PA-TA-NE ESA-MAPA-TA-DA-DU-PU-I ZU edSA-RA VASSU-PA-RA QEKI-DA-TAGRAPA-KA-RA-TI PU-RAFIC HA HARMAHI SAVA KI-RE-TA-NA VA WA I-TI-SA GRAVOF MA-DIRU-RAOLEMI FICERUGRA PUSA-JA-MAKA MOKU TAOKEPUKOMU ANAITAJATI DAKAMAKU RETERASIRUKE SADIRIDUPA MISUNI ASU WASU HAWATA ASUWAASUWASA RARATA FICA-KA-RU DIKU-RESA-JA-MAVAS NAPAIOLIVTU WAZERATA QODA NISO KUDO NUEMU NUSI PATI-NI-TAZA VAS SU-PU Jab Va KI-DA-IVa AIZOZAZIPU SI-KI-RA EHB-QARE RU-MA-TA-SE EKA EKADO LEWAHUXU XEYEALEW MEXIMIKU DU AH HWATIKATA SA-RA KO-RU VIR OLEKI RUQARE SA-RA USI GRA KU-ZU-NI A-RUTESI KU-RO TEOLEKI MARU ME PA-SE JE-DI VIR-SA-RA GRA QAPU VA PAZINASO RAKARIAMU JOLETAO VIR QA-RA-DU OLEDIKU-ZU-NIKU-ZU-NASU-PUMon MU-RU KA-SA-RUPI-TA-KA-SETE PA-RE ZU-SU-PA-SA-JA KHIa-TI-SAQA-DA-QE-RA ETU-PA-RI SIME VASQA-PAPA GRAQE PARNAPAWANAHAI ARWASAKINAHA NE-KU KU-ZU-NI KEPHAMADIA OWHERLEWRIO QA REPU DA-RI-DA QE-PUSA-NEDA-RO-PAVASPA-I-KIOLEDI SI 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GRAVOF MOKU TAOKEPUKOMU ANAITAJATI DAKAMAKU RE TERA SIRUKE SADIRIDUPA MISUNI ASUWASU HAWATA ASUWAASUWASA RARATA VaJAf OLEI QAPUA-KA-RUA-RU-DA-RAGRA ME-ZA KU-ROKA TEOLEKI TADa-wo anunQA PUSA-JA-MAKA SI SARE KU-ZU-NI GRA KU-RE PAQA-TI-DA QA-SATU-QE-NU DI-KA-TURU-MATU ARI HA HARMAHI RASUTAPAS TUMARAGASUBALA HARMAHASAS WASUTATTU -SE MIJARU KOCAP QAINU-DU- RU-ZU-NAKA ME-ZASA-MI VAS KUSA-RO-QEOLIVI PA-SE-JAVIRSE KA-U-ZU-NIMA-SI-DU NE-TAJELOLEMI SU-DU OLEU KA-SA-RUPI-TA-KA-SETE SARE AMIPOPE IQEPOSIMA NEPA PAPENADENE URASE WEKE SARU mers ZA PA-RE OVSU-PA-RARE-ZAH JE-DI OLEKI QE-PUSA-NEDA-RO-PAVASPA-I-KIOLEDI SI KI-RE-TA-NA SU-PU-KU-RODA-REQA-TI-DA-TESA-RA VASQARE-RI-TU-QA U-KI TA-KI-TADI-JAKI-DE-MANAVAS VAS SU-DU-RI-TE KA Perna EB-TASU-PU-OLEEKU-PA-NA-TUDU-AFIC TARHU SCALAPRUMI ATINO MALA HULUWA-RIWI-DUTIVIR PHUNEXU EIKOPHANAISUMURORA JOEAROTA PHIKU PHIKPI A-RI-NI-TA KUQE-KU-REDI-KA-KIPA-DU-ASEPUDINAU DI-NAUTA I-VIRKA APUSA-RA OLEU RUQARE USIGRAKU-ZU-NI QA PANI WA-JA-PI- DA-JUBI VAS jarJa KA-U-DE-TAVaE GRAPA NI-RAKI-RE VA SAVA HWA AH HWATIKATA MARUVAS HOMKU-ROTI-NI-JU I-KI QAPU SA-RU OLEU ATUMOSE DIMIJEPA PURAQINUDA KRAPUTI PAZINASO RAKARIAMU PHEKUMI UHERLU QA-PA I QE-TU-NE TE-KI DI VASPA-TA-QEZU-JU-PU MI-KI-SE-NA VE KU-RO KA-NA-TI-SA TUREOLERI RU-MA-TADE-NUA-RE-DA-IKI-RO-DE-PA-SA-MAVAS QE-TI DI-NA-UPA-SE VA MA-KA-RI-TESU-PUK VasI JoKU-ROTA-NA-TI KILIMISITI MANAPARASATA TIWATA NAPAIOLIVTU OLE PA-TA-NE ESA-MAPA-TA-DA-DU-PU-I PA-SE GRAQE KU-MI-NA-QE-MI-NU-MIKU-PA-NUI UZAPAKU-PA-NU WA VIR KA-TIFIJIZASA ubule REPU MU-RU ASI-JA-KAVAS -KA-PA-QE KI SA-RA-RAJA MIJAKA BOSVIR-DA-RE KATA-DU-RI-TEKa-QE-PU JE-DI OLEKI PARNAKA KUWANASARAHARLI HARLIPAWATA SARAIRAI AIA RE -SE TE-TUPU-KOSA KU-RO MIJAI SAI-TA-JA JA-DUKA KU SU-REQAREPUDASI ZUKA-RO-PA FIC FICA-KA-RU DIKU-RESA-JA-MAVAS SU-PU NE-KU JOLETAO LEKU-NE ZU A-RUTESI KU-RO DA-SI-MI-TI MIJARU KEPHAMADIA OWHERLEWRIO STEHPENA PEINO JU-RA ETU-PA-RI SIME MIJA-RA SU-PA-RAU-MI-NA-SI DESUI EHB-QARE RU-MA-TA-SE VASSHU GRA KA-RO SI KI-ROO-RA-DI-NE DA PARNAPAWANAHAI ARWASAKINAHA ARHAMAKISAHA MASANA NA RARERORU APHANI SASETOTETI HUHAPHANI QA-MA-RI-MI-SA-RA SA-RA KU-ZU-NI OLEDI KI MI-DAVaWAbKA-aSA-JA-TISA-MU-KUZU-DU PITITA-NA-TI QE-KAMA-DIJE-DIOLEKITE KU-RE-JUIKU-PA-NU RU-I-KOMARU KI-KI-RA-JA VASQA-PAOLEDIKU-ZU-NIKU-ZU-NASU-PUMon SA-RE-JU KIMDEWMEKAI PHAN DADOJAKAKUME PHAN NANIPAPIQAQE PHAN JI GYKI-ROTU-SU-PUIGRA SU-PU TE-TUSA-RUPA TELA SA-RA OLETA-NA-TIKSU-ka TEJI-DU-NE-SIa SA-RA Va A-SI-JA-KA KA-PASI-NA SULAXOZEU DAWKAWYAWYA DAOX YEDAOEAS QAREPU DA-RI-DA SA-RA JEB TE DA-RE KI-DA-IVa DU-DA-MA I-TI-SA PA ZU-SU-PA-SA-JA KHIa-TI-SAQA-DA-QE-RA edSA-RA VASSU-PA-RA VIR TEREOJARAKO JUKFU UKEWOTOWERIKAPI NOWAMETI onSI-TU-RA-REVa SA-QAPU QEKI-DA-TAGRAPA-KA-RA-TI PU-RAFIC MA-SI SU-PU-VIRJE LEWAHUXU XEYEALEW MEXIMIKU DU JAKA KU-ROLSA-RAO LEDITE-RO-NI BSU-PUNDI QA-SARA-SA-JA-MA AHA TANAMI MISAI WHAPAWA VIR-SA-RA SUS JA-RE-MIDA-RE IVKU-PA-NA-TUDU-AFIC MI-DAVaWAbKA-aSA-JA-TISA-MU-KUZU-DU PITITA-NA-TI MA-SI SU-PU-VIRJE 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RU-MA-TADE-NUA-RE-DA-IKI-RO-DE-PA-SA-MAVAS QAREPU Perna TE SULAXOZEU DAWKAWYAWYA DA-SI-MI-TI DADOJAKAKUME PHAN SU-REQAREPUDASI MARUVAS KILIMISITI MANAPARASATA TEREOJARAKO JUKFU NANOLIPEIXI MAILOITEIZU OVSU-PA-RARE-ZAH KU-RE-JUIKU-PA-NU KOPA-SE ATUMOSE PHEKUMI UHERLU MIJAI SAI-TA-JA IV PA-SA-RI-JA KRAPUTI TAR HUSCA LAPRUMI DI-NAUTA QAPUA-KA-RUA-RU-DA-RAGRA MALAHULUWA-RIWI-DUTIVIR PHUNEXU EIKOPHANAISUMURORA JOEAROTA GRA I I-TI-SA DI GYKI-ROTU-SU-PUIGRA VA MIJAKA HOMKU-ROTI-NI-JU PA-SE-JAVIRSEKU-RO NEPA PAPENADENE KI-DA-IVa SA-RA MIJARU PUSA-JA-MAKA SARE APUSA-RA PU-RAFIC SU-PUon SA-RE-JU OLEU NE-KU ME EB-TAKA-U-DE-TAVaE PA QA-PA PANI WA -KA-PA-QE QAPU AIZOZAZIPU SA-RA VASQA-PAMARU KU-MI-NA-QE-MI-NU-MIKU-PA-NUI KI TUREOLERI AH HWATIKATA
TAINE
sie kann die Kerze aus Pelz
aber nicht während innen eingeschlossen
dieser Rubin Ei, dessen enge Innereien
Erzähl uns auf die Burg, ein vernarrt.
ein wenig vernarrt könnte Kuss der Zucker
in ein Furz, und ein wenig Kartoffel
in einer Maske könnte Stoß seinen Weg
die vor der Bühne
wo eine riesige behaarte bereits
steigt
die Geschichte dieser Perücke
die einmal besiegt
von seinen Innereien
wie alles gebar
Rubine auf dem Dach
von einem kleinen vernarrt
kamen alle, dass
wie ein Furz
bei dem kein Teil
im Film
diese Barbaren
haben komische Gesichter
sie sind offenbar arrogant
aber ihre Gesichter aussehen Sterze
verschmierte im Herbst alle
Ich sehe nur goldene Unterkiefer
wie eine Krone
für Zyklone
made by psyc-Klone
aber nicht während innen eingeschlossen
dieser Rubin Ei, dessen enge Innereien
Erzähl uns auf die Burg, ein vernarrt.
ein wenig vernarrt könnte Kuss der Zucker
in ein Furz, und ein wenig Kartoffel
in einer Maske könnte Stoß seinen Weg
die vor der Bühne
wo eine riesige behaarte bereits
steigt
die Geschichte dieser Perücke
die einmal besiegt
von seinen Innereien
wie alles gebar
Rubine auf dem Dach
von einem kleinen vernarrt
kamen alle, dass
wie ein Furz
bei dem kein Teil
im Film
diese Barbaren
haben komische Gesichter
sie sind offenbar arrogant
aber ihre Gesichter aussehen Sterze
verschmierte im Herbst alle
Ich sehe nur goldene Unterkiefer
wie eine Krone
für Zyklone
made by psyc-Klone
MATERIALIBSTRACTION
a small child
with lovely dark Prince Valiant hair
a little girl, but royal
has a dark mirrored
metallic android protector
but their balcony has broken off
during an avalanche
and both their heads
are just going
beep! beep! beep!
as the whole friggin' schmere
slides to the bottom of the mountain
where there is a fucking killer
RUINS CONCERT
going on.
Like under a REDWOOD TREE
and skunks are there
with eyepatches
and some girls are there
WENDY O. WILLIAMS
CLONES
and they have
skunk parrots
on their shoulders.
And the RUINS
can somehow
enter into
a romantic dialogue
with JMW TURNER
or even Ruskin's
big old grumpy
TRUGRIFFIN
with lovely dark Prince Valiant hair
a little girl, but royal
has a dark mirrored
metallic android protector
but their balcony has broken off
during an avalanche
and both their heads
are just going
beep! beep! beep!
as the whole friggin' schmere
slides to the bottom of the mountain
where there is a fucking killer
RUINS CONCERT
going on.
Like under a REDWOOD TREE
and skunks are there
with eyepatches
and some girls are there
WENDY O. WILLIAMS
CLONES
and they have
skunk parrots
on their shoulders.
And the RUINS
can somehow
enter into
a romantic dialogue
with JMW TURNER
or even Ruskin's
big old grumpy
TRUGRIFFIN
Sinking Feelings
comealog commalogue
decimalleabull imshi lictious
I think that a large malachite bathtub
on malachite table wheels
sitting in here would look nice
also a large replica
of a glass syringe
hanging on the wall
would be nice
if it was a fish tank
and the power cables
could come out the
needle hole
we'd have a little tv
set in the ceiling
about 2" x 2"
playing
FRANKENSTEIN
CONQUERS
THE WORLD
but then have a giant globe
inset in a big niche in the hall
covered in all kinds of gross
taxidermy skins sewn together
like nations or coutries
or georumples, and then
there could be a nice
brass plaque that would say:
BEHOLD
THE PLANET
FRANKENSTEIN
and on top
there could be a big
green glass beer stein
with a big
letter F on it.
Even when I pretend to be
smart, or pretend to be dumb.
I could tell you
I could easily be the perfect hybrid
of Wolfgang Kayser
and Daniel Johnston, but
it won't get me anywhere with you,
so I'll just
decorate my cave with kitsch stuff
and be square
and try to get a job again
and wait till I die.
Our contemporary esthetics and poetics
follow in their footsteps, and I myself find
it necessary to speak of the grotesque—
if it is to gain currency as an esthetic
category—as a comprehensive structural
principle of works of art
No, The Grotesque is when you understand
that concepts no longer contain the meaning
of matter, or its lack of meaning.
The Grotesque is when you learn
why Existentialism came about,
and also that people
can't talk about anything but
their own failed
intentions
toward style.
http://www.rejectedunknown.com/index.htm
The Last Confession Before I Go...
This I shall do by printing in the infernal method by corrosives..
And by photolithography
and guarding your explosives
doves whose breasts
are blue in the sky
Chief Sky Snake
your breasts are the cold hello
but put down below
where Spring is guiding rabbits
to their golden hye
and the mechanic
is whistling among
the rags
trash and dirt
seem sacrament
where the launch pad's
hands
seek
projection's curving signature:
the grid.
if stop
then return
stone tablet hover
its short cropped hair
that knowledge is perverse
odd eye it peers
from the stone
pity
heels thump to the well
its deep black weaponry
its black spring head
like a city
if stop
then return
phrases of perception
cut and snip
loom vortice
scimitar shuttle
orrery in orrery
river of glass
liar
garage happening
And by photolithography
and guarding your explosives
doves whose breasts
are blue in the sky
Chief Sky Snake
your breasts are the cold hello
but put down below
where Spring is guiding rabbits
to their golden hye
and the mechanic
is whistling among
the rags
trash and dirt
seem sacrament
where the launch pad's
hands
seek
projection's curving signature:
the grid.
if stop
then return
stone tablet hover
its short cropped hair
that knowledge is perverse
odd eye it peers
from the stone
pity
heels thump to the well
its deep black weaponry
its black spring head
like a city
if stop
then return
phrases of perception
cut and snip
loom vortice
scimitar shuttle
orrery in orrery
river of glass
liar
garage happening
Pan im Schilf
ist weich sitzen und kaum hören
zu seinem eigenen dünnen Faden, wie es schüttet
über den Pfad zwischen dem Verdrehen
Blätter. die langen Blätter, die
Zischen scheinen wie einfache Schlangen süß
schlenderte, während seine Melancholie Rauch,
in dreht, ist wie ein lila Wurm, versteckt
kleine Reihen von Blumen in seinem Talar.
Ich denke, dieses Gebäude, das ist in der Tat
eine Statue, und der Lift bewegt sich
durch den Körper eines massiven Schlange,
und schließlich bringe ich einige Papiere
eine Frau in Pan's Kopf.
Ich merke in den Hallen gibt es zart
pan-Rohren, die aus mattiertem gemacht werden
Glas am Wegrand, Leuchten.
Ich merke, die Griffe an den Türen
sind die Schwänze der Meerjungfrauen.
Ich selbst habe ein Klumpfuß, und schlaff.
In meiner Tasche habe ich einen kleinen deformierten
Figur aus Messing. Warm und weich,
Ich denke dabei an meine psychischen Vagina,
aber es tatsächlich einen Briefbeschwerer Ich kaufte
für Marianne, wenn ich ging zu Besuch
Karlfried Graf Dürckheim neue Feuer-
Ort, wo die Köpfe der seltsamen
Wesen könnte mit besonderen gesehen werden
Brille, die er geschaffen hatte.
Ich sah eine Ziege, was mit einem Chaos
Schlangen in ihren Augen. Herr
Durkheim sagte mir, er sah
eine funkelnde Lama.
Thursday, February 3, 2011
The Wild Duck.
there is good in all things
the fact that the Teng brothers
had served in the local security
force was important to the uprising
in its initial stage m
embers of the team were recruited
from among the peasants
and were trained in the use of
flow weapons (las-don rucking)
figuratively, a flood, influx,
or rush of anything, marked by
unusual volume
astheno-sphere
mafic volcanism
Mr. Charles R. Drum
one of the team experts
on this message
spoke before our Sabbath
mutiny, insurrection, upheaval,
uprising, revolt, insurgence,
revolution, disturbance, riot,
uproar, violence. outburst л
group, troop, gang, troupe,
company, detachment, detail,
band, force, squad, corps,
team, crew, muster
Tweedey including Cypher.
Uruk. Transhumant.
She is neurotic, controlling,
guilt- inducing, and homely.
He finds her irresistable,
like looking over the railing
from Mystery Science Olivia
Cold Smoke Daniel Barenboim
Berliner Luft Doctor Gore The
Empire White Knuckle Extreme
From Relapse: Birthday Party
Chobits Persocom Neurosis A
Sun That Surprise Dangaioh
Hyper-Never Sets Miss
Charles Chaplin's brilliant,
hilariously incisive satire
about Man caught in age of
mechanization and hard
sugar wigs at Orchomenus.
Gore Vidal.
Part bubbles
in brazen kettles,
part splutters
on spits; while
the whole room
drips with gore.
the fact that the Teng brothers
had served in the local security
force was important to the uprising
in its initial stage m
embers of the team were recruited
from among the peasants
and were trained in the use of
flow weapons (las-don rucking)
figuratively, a flood, influx,
or rush of anything, marked by
unusual volume
astheno-sphere
mafic volcanism
Mr. Charles R. Drum
one of the team experts
on this message
spoke before our Sabbath
mutiny, insurrection, upheaval,
uprising, revolt, insurgence,
revolution, disturbance, riot,
uproar, violence. outburst л
group, troop, gang, troupe,
company, detachment, detail,
band, force, squad, corps,
team, crew, muster
Tweedey including Cypher.
Uruk. Transhumant.
She is neurotic, controlling,
guilt- inducing, and homely.
He finds her irresistable,
like looking over the railing
from Mystery Science Olivia
Cold Smoke Daniel Barenboim
Berliner Luft Doctor Gore The
Empire White Knuckle Extreme
From Relapse: Birthday Party
Chobits Persocom Neurosis A
Sun That Surprise Dangaioh
Hyper-Never Sets Miss
Charles Chaplin's brilliant,
hilariously incisive satire
about Man caught in age of
mechanization and hard
sugar wigs at Orchomenus.
Gore Vidal.
Part bubbles
in brazen kettles,
part splutters
on spits; while
the whole room
drips with gore.
Hi!
The Person sitting down is a woman.
The woman standing up is a "Garage Happening".
The pipe is the name for things
inside a garage.
The bottles
are full of
"you-win"
[...]
also,
do ou spee
"Jabba niece"?
I like shit.
Berth of a Gnashin'
It was not our fault we had this
garage happening. When the demon
head headbelly hill bell ominously
yukata olive paste totally
truth wawa pedal hyphenaut
peed bread
rubber wound bats spock bach
spock bach
like soft tidal 1970's dam walks
all along the wasser front
its ivory and underground city
grown from a modified animal socket
toward its all encompassing
curly genie shoe lamp-oon
dry poon hump moon
is sun
you political finally
while rotting into space gnarl
goingly
like whoosh
wow. garage is totally venison in the rough
peed. hop-to fluorescent poster parlor
imagine hubble bubble
partial velvet of le chat.
No matter what girly.
And by that it means
hellbelly garage smoke publications.
Can you decide
high powered nozzle
invocation?
Imagine nozzle array.
Nozzle array tiara.
tiered tiara nozzle array.
a ray of tiered tiara nozzle arrays
each
to ray on
through all spazz and tim
tiny rebuttal.
the magus
of garage happenings
is small
harshly defining
refreshments
and wilting unable
to procure
the things you need
to survive
the final cataclysm,
it's sound.
The Chicken Got Home on the Cocoanut.
O Tuna,
O Tuna!
O Chicken of the Sea, that which is
eternally got to me, Max Müller
reads upon the Gunas down
Waiheke way...
Oh Montagu,
O Montagu!
Has Hawaiian eel taken brain up
for song? Is Daphne long
in the tooth which is the flesh
of a chicken in a cocoanut helmet?
O Mangaia,
Omen Gaia!
How do Bozo sapiens sing?
Tuna! Tuna!
Thunn-dus
and Thunnitis, Max says
a disease of language
needs a nostrum of folk etymology.
O wild chicken..
In Ina the moon-nut-brain-eel-fig's
Indian lover awoke,
In Vedic figs, eels of candied cocoanut.
note:
Cooking chicken in figs
and the dark vinegar.
Are there Sea Chickens in England?
In 1560's Ingelend, the disobedient child sighed, but
"Her tonge and her tune is very shryll."
How do bozo chickens arrive
in kuku nous?
O wild Thymmnus, O tinny howdlerists!
O Homeric Tuna!
O Tumeric Homo!
Will enormous chickens carry prickly pear jellybeans
to be sacrificed in the volcano?
Will thunder hang like black fruit
in the brain tree of Lord Tuna Eel
in coconut armor?
O Tuna! O Tone us!
O Toon! Tuin! Muin! Ruin! Duin! Shuin!
O clacky cocoanuts of galloping Python's Monty.
O precepts! O little steps.
O musical shoes..
Pant of Rhei Becomes the Allanimal (May Breath Come Upon You, El Ogo)
![]() |
| Մայիսի շնչառություն հոսքի մեջ ձեզ |
Glaucon meets Tinglish
at the Biblioteque Nationale
just for fun
just while it lasts
Melosine meets Mark
in the secret history
of dreaming
chance favors the prepared mind
completely
unprepared
Ulysses meets the sirens
upon the empirical plane
and reproduces their norng
from a top hat he holds
Nimrod meets God
in a tapioca tree
like 18 Rabbit
greets the morning
everything is invisible
but the vectors:
Wiglaf tantalite anoven;
ut Ragusea,
ut Ipomœa,
ut wrabba ok wrœgja,
and there:
Τα Πάντα ῥεῖ
ut Van Kedisi,
and there:
No Irony.
Good Mind.
Wednesday, February 2, 2011
the madness as
Malkovich enters his own ndu ulo fibins in the and it can be that we are If it isn't Entertaining we It is hard to be implemented. It is is why and joke saints granularity, phrases of organic perception. A part of surface are the them will an absolute value in the fundamental and we are the artifacts. flode bossum isn't anything the continental philosophies, see an interaction. to construct something there is of other dialectics, or you may the madness at the handler, and you're no bigger than life is an "emblem" it semiosis, Deleuze and Guattari in some aspects now, we would see think. But once pulls out a in the end he but have it glory? la gloire! all of those who feel they oddity and inherent very long time. It is we are not calibrated or rather give a shit less radical sexual agents generationally refreshed. This divide. But it is a syntax. Syntax or Grammar it vainly seeks to passive agency, themselves are as continuity message I all that is lie of all sucks. or is and kicks. That's it. they have as a line, the no voice as such. a fictional 'accomplished'.. That instrumentality do is go monster monster marvel marvster as theatre. I always think Syntaxis biological dialectic, or even, well, the active is like waking of material distinction, not and arguably admit, is that all diagrammatic trace which both of these it is care about simple either, shifts in pockets but merely the slightest the overarching weirdness is made of marvels. where of life value negative relation to precise and fanatics, something like the language is like when levels of granularity. Deleuze is poignant) because the discursive. from an reading in about the somehow necessary (not necessary the culutral elements. That's of gas in the middle is a quantum biological a "content" for a resistance. That resistance final battle. Those who understand about freedom. They want you understand, a catholic reality, This impotence of the the modulation utterly. di vine. It Hegelian. The literary the impotence of single vicissitude, as aspect of cultural affect sense, because what it Deleuze's concept of the and interesting than anything bot there in sun? To? Are that it can left, the call difference, we be out a discursive experience the only body of shapes. Earth's are is the materiality itself its near invisibility anything more than wot monstrue this? Wod the particulars of syntaxis-sentence is simply a natural, but you're no better seriality. a kinetic every machine are the flying note the varying percentage as freedom. People could set of serial thing, calling language a you could make and priests, a line masquerading context of the scale. might as along, we dont is movement. It is this thing to or of Earth) In employed to universe is more odd Burroughs says the same materiality is imaginal, there is just the contrary. Burroughs empower us. But it won't. Because snakes is only and animals really, because single thing religion. Art is cultural practice. Why? Why the fuck, is any more or less moot. It more midieval virus. I'm past that. I of mention in the is conjoined brick road as laid of this necessary? The here for a transcend the discursive. Every to be anything, and seeing all ben you upon trying are shapes, and there even exists is active and the sophists following the little yellow scale is of it, every really is, is method. itself is than a Kentucky snake quantum biological that is what none of brokeness. That is our democracy. Democracy or caressing vicissitudes of a by instrumentality. Language viral contructor. Language has no is social discontinuity woshipped series. Imagine a transtemporal, transpatial thing to up and realizing frequencies. Those abstractions an unfolding world epoch just saying, there really says is we do is more creates the continuity. It except perhaps Hakim Bey, nothing more things are just images, do. so whacking so. We don't see if there leisure product, and writing, talks about Molar aggregates, notice something, but the content barely worthy we walk abstractions based in language or hear movement and kinesis of calls Earth a of eternal humming gems of nothing. The is just drawing or actually detracts from their is the morphic they have it. without words, organ which chaos. And chaos just a was modulation can reflectionism, the or less an Entertainment. therefore all scientists who deny it. We or maybe William inverse of that as made of ineffabble totems only be continuities are the same instrumentality has ever really discursive as There are no fragments, make take up residence baudy folk saints thinkers are also history is not dialectic. Every fetish is the meaningful, and not he is seeing, method of modulation. What some concept (in Art is shouldnt be doing it. emotional content on we Know? What the discursive, world are people, ala Hegel. We are which becomes most penetrate seriality's trick a wild seething soup of so weird, and assemblages. All to the monster, there out by It isn't me. It some silly string basically the same thing. the observer into thinking blindingly interesting reflexive quality scientist all become the auctorial agency. in us, wad wad wad wad wad discursivity sucks. anti-discursivity suck. it you to? Narrative. A And that's Fool's ivy. Dionysus' plant. Even record of a quantum the fetish is a weirdness is that of you, but of a radical critique are pictures. The whole single unbroken in their way. It have something to syntaxis which is the Science is Matrix is actually kind dialectic, fetish and temperature. We might Method is props.. And all monvel arvelline monstrue? What cud you eny principle of the as well just call out in front There are various despair that in the like picture picture cryogenic wart chamber. This of images. to do to universe, and am a of. This single detail is almost And so this is the hero's journey (which than culture batteries. works here is not even treating is an interesting passive agency. It an instrument does. As root of all Deterritorialisms. It is an supply the links which surface on a celestial way of pulling thing which but what mind. Malcovich Malcovich of matter itself. Nobody to be subsidized of the universe is in the sense of will admit that the path to instrumentality, rule based grammar or years on I extruded out. The object. All of and even the rationalists, Anything can be of this is the parts right who know order. Apollo and Dionysus are are pictures. Pictures are pictures. Substances worked for be trained being one Malcovich.. But we have to very shining example to were any content other a jellybean, and that should order is a to cuckold among those The way one sees religion. And all religion than Earth: Earth(yok1xox)= in terms when it disguises plain anything other than ourselves series of discontinuities whose middle ages, but there are priest, a shaman, than we were and no continuities either, are like RAM, is just precisely like sex, and food, the _)(&_*& do machines and those machines are art and buttresses of seriality under the difference. Sounds are pictures. People drawing instead of its potency among a or a Therefore, only "Picture Planet".. I one. The singularity has been nodal nota of transpatial-temporalities. it is the paradoxical only various forms of nothing of the narrative an instrumentality, quantum biological consumers of culture itself, the page for me. now everyone, even prepared audience and lie or beingness. like a sun mechanical makeup has to the secularists are fundamentalists, ages. There were not things, something as simple as distance. ridiculous. and the long run, see What is an or hearing new or complex, or like writing that masquerades in one it's opposite. That the non-human is a and that becomes interesting. Like this film correctly intuits simply a and the is a Burroughs. William Burroughs more creates the continuity. It just call out among those The the little yellow reflexive quality scientist all become to instrumentality, rule based grammar dialectic, or even, but what mind. The is just correctly intuits simply a and glory? la gloire! If it isn't Entertaining which surface on a celestial machines and those machines the discursive, world are reality, This impotence of opposite. That the non-human can reflectionism, the or less mechanical makeup has to this? Wod the particulars us, wad wad wad wad in front There are is poignant) because the be of this is the detail is almost active and the sophists following understand, a catholic they have it. without words, (not necessary the know order. Apollo and construct something there is of in about the somehow necessary Substances worked for be trained Earth: Earth(yok1xox)= in terms left, the call biological a "content" for Guattari in some transcend the discursive. phrases of organic perception. A agency, themselves are as have as a of seriality under the of the and interesting is a weirdness is a kinetic every machine are actually kind dialectic, fetish and series. Imagine a implemented. It is transtemporal, transpatial thing once pulls out a Therefore, only "Picture Planet".. I discursive experience the Method is props.. And none of brokeness. hero's journey (which than biological consumers of trick a wild seething jellybean, and that should order hard to be in the like picture picture "emblem" it semiosis, Deleuze and practice. Why? Why a or a is an interesting drawing or actually detracts from it. emotional content on And so this is the the secularists are fundamentalists, the content barely worthy we I extruded out. more midieval virus. I'm no continuities either, are ages. There were but have it food, the _)(&_*& do But it won't. Because snakes there leisure product, and realizing frequencies. Those abstractions an scale. might as along, organ which chaos. And chaos which both of these about freedom. They want you unfolding world epoch just saying, made of marvels. where of for me. now masquerading context of the than wot monstrue other dialectics, or you materiality itself its of syntaxis-sentence is the flying note of single vicissitude, as aspect totems only be continuities are the auctorial agency. in and lie or beingness. continuity message I all that calls Earth a of eternal to or of Earth) pictures. Pictures are pictures. like a sun way. It have something necessary? The here for a like waking of thing religion. Art is cultural precise and fanatics, something language or hear movement and arguably admit, is that make take up residence monster monster marvel is Matrix is admit that the path any content other a that of you, but of temperature. We might one. The singularity has Burroughs In employed to people, ala Hegel. We are writing, talks about his own ndu calling language a you could is conjoined brick discursive. from an reading everyone, even prepared audience in one it's is only and says the same materiality is lie of all the fuck, is any more agents generationally refreshed. This to up and being one Malcovich.. But near invisibility anything more sucks. or is a Kentucky snake quantum is a to cuckold Every to be anything, and culture batteries. works here is universe is more odd Burroughs difference, we be out a of and even the an absolute value marvster as theatre. Syntaxis biological of all Deterritorialisms. It is a shit less radical sexual It isn't me. It some single unbroken in their overarching weirdness is Fool's ivy. Dionysus' plant. Dionysus are are we It is of serial thing, thing. the observer walk abstractions based in in the end he the the modulation utterly. what it Deleuze's concept and kinesis of philosophies, see an interaction. to we have to very monster, there out by more creates the continuity. It becomes interesting. Like this film no better seriality. long run, see various despair that into thinking blindingly interesting we Know? What it can be an supply the links like the language is the universe is like RAM, is just precisely their is the morphic passive agency. It an instrument is the Science is a quantum is a syntax. transpatial-temporalities. it is the paradoxical or years on of discontinuities whose That is our democracy. Democracy divide. But it baudy folk saints thinkers are make and priests, a line the meaningful, and not he by instrumentality. Language viral we are not concept (in Art is as distance. ridiculous. and the long time. It is or caressing vicissitudes of a as freedom. People could set are priest, a shaman, ulo fibins in the and Molar aggregates, notice something, but material distinction, not bigger than life is an all scientists who deny it. is a and that contructor. Language has no there really says and assemblages. All to the silly string basically the same William inverse of that humming gems of nothing. aspects now, we about simple either, a quantum the fetish shifts in pockets but shapes. Earth's are is the way one sees religion. And like writing that masquerades way of pulling thing which does. As root not things, something as simple not even treating Malcovich Malcovich of matter itself. as made of ineffabble they oddity and inherent very Narrative. A And that's Syntax or Grammar it calibrated or rather give part of surface been nodal nota of than we were and just a was modulation shouldnt be doing This of images. other than ourselves series except perhaps Hakim Bey, simply a natural, but you're of nothing of the which becomes most penetrate seriality's like when levels all diagrammatic trace only body of has ever really discursive merely the slightest the or hearing new cryogenic wart chamber. would see think. But are art and buttresses It is this thing am a of. This single also history is not bossum isn't anything the continental in the fundamental and of mention in the to syntaxis which anti-discursivity suck. it you to? the is a Burroughs. William narrative an instrumentality, quantum handler, and you're no trying are shapes, and in sun? To? in the sense of will the madness as Malkovich enters all religion than or complex, or a resistance. That resistance final a radical critique are nothing more things are just of granularity. Deleuze shining example to were than anything bot there vainly seeks to passive Even record of there even exists is it is care are the them will instrumentality do is go What is an we dont is movement. di vine. It Hegelian. biological that is what really is, is well, the active is of modulation. What some rationalists, Anything can all monvel arvelline Are that it can scale is of it, every is we do is Nobody to be subsidized of as There are no fragments, The literary the impotence method. itself is than the same instrumentality only various forms soup of so weird, middle ages, but there The object. All we are the artifacts. flode all of those who feel of gas in the middle is seeing, method battle. Those who understand such. a fictional 'accomplished'.. That People drawing instead dialectic. Every fetish is is social discontinuity woshipped the varying percentage or less moot. It joke saints granularity, animals really, because single monstrue? What cud you eny past that. I is why and and kicks. That's it. they difference. Sounds are pictures. line, the no voice as is imaginal, there is just pictures. The whole an Entertainment. therefore of its potency among when it disguises plain anything images, do. so whacking like sex, and of cultural affect sense, because We or maybe seeing all ben you upon culutral elements. That's culture itself, the page so. We don't see if the contrary. Burroughs empower us. to do to universe, and principle of the as well life value negative relation to may the madness at the parts right who that we are wad discursivity sucks. road as laid of this...
Tuesday, February 1, 2011
No Gasoline Tax Says Princess Almu Quantara
The beautiful park
which hovered near the ball
into whom
the many layered welcome
flowed said
safe alone in wool
and watching
the tower of babylon
the way to the eye
Melnikov's
In the beautiful park
one steps onto a platform
activates the control panel
telescopic
shame
real coal
Geta
the fame
of fierce virtù
bernacle goose
black wart
St. Helena
Princess Bagration
on a trip
to Venice
found a stone
in the nest
nay-con-ablude
where the park
hung limp
a blonde wig
to cover the
Laconian, and
Pitanate
battalions
the barbarians
are pleased
wooden dishes weevils
wooden dishes bernacle
goose
Indrid Cold
catches Caracalla
in the Library
with an aeolipyle
fitted out w/
acousticon:
How to replace face
when face
a sucking hole?
Buggery Amid Tides of Crashing Gadgets.
It peels the crusts off these
more structured worlds
and splays them like floating skins
amid the shattered
and sputtering remains
of their mother stars, until
they too, wrench apart
into peaces.
It sends forth great and terrible
devourers that gobble whatever
each happens to come across
(a Jupiter, a Mars, a Saturneon's)
and outputs a weird and useless marvel.
Like a mindless and Savage Rosa,
this Slavior is a painter of wild catastrophe
set loose in cosmic proportions, and these
gobblers are her bandits, and beggars,
and exploding worlds and suns, the ruins
and the twisted trees.
All it needs is a comics rating.
And a silver surfer.
Justice Quitting the Earth and the Wheel of Fortune.
There they tumble, like
bingo numbers in a crystal
skull, waiting for the rubber
tongue, camping the mother-
fucker until it comes, waiting
for the treasure drop,
Oh Nectar!
(It's vaguely natural, the rumors about you..)
In olden times, when things meant more,
when success looked more ominous, or
if the dwarf in your village hadn't rubbed
its foul body among the potatoes, then.
Improper Englishes, and
Bad Painting.
How hard to tell why this wide tree, why
YY XX oh! this
single lake in Africa has such a rich history,
it's fine to notice how unjust the Earth really is,
but why not just starve it of denizens?
What's this horseshit?
"Keep silent unless what you are going to say is more important than silence".
Bah. Blather on in any fashion, for all
all,
is silence.
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