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In alienation have we prospered and withered:
扒派 皅 舥 妑 芭 葩 蚆 夿 趴 啪
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Il est bien trop souvent préférable de se taire.
Le silence est une ligne droite.
La mort est un ordre religieux.
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Let's say that 'conceptual writing' however you describe that
is one response to the logical trap of repetition and difference
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as answered by Joyce in Finnegan's Wake and noticed
by E.C. White in Kaironomia, his explication via Vico
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Does not 'Conceptual Writing' as an idea rhyme purposively
with Joyce's own "inner" description of FW?
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That description represented by a phrase like
"the last word in stolentelling". If FW was presented
itself as being a version of repetition and difference,
the inner contradiction being not unlike his "the same renew"
how might we reconcile the lineage to itself as autonomous?
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This is I think the point, the point is to remove
the autonomy of the poetic and artistic traditions,
to dislocate that onto our singularity as complexity ie MO(O)T.
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In that sense, an entire copied work would
in effect be a rhyme of a contour, a contour whose
meaning is holographic, and by that I mean,
'like a window' through which the whole may be viewed.
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There is a problem with this reading however.
Robert Grenier drew words. Also, I lie.
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Is a totalism in fact a dead end?
Are totalisms moreover something
more akin to "memic telomeres"?
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n a singularity any agent of complexity
might b sd to represent the whole Spacetime
after all being the only actual critic
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Human politics are precisely moot.
As long as some exist in some form,
the catalogue of infinite asymmetry is carried out.
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Anthr way 2 look at the conceptual as
diffring from itself,
is thru the lens
of Zizek's Parallax View, his
"traps of ontological difference"
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or "The Unbearable Heaviness of Being Divine Shit"
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Irrony Observes The Earthing.