Wednesday, November 6, 2013

IWM: "Here is Plenty of Space, William James."


The brush-footed Phanes
be with you,
and to the ends of all time
in active principle.



Imprimatur is before logic,
and logic before logos.
The circle of the law prevails
in dissolution.
The wrecked tangle
orders orthography
mispelled.


lady baby cannot kill
the everlasting feeling
and nobody can ever tell


the embryo comet
hunts in the night
and the Ming vase sits stiller
among the Germans
along the winding
country
of the grapes.


your parable awaits you
your constant heart insists
manque-manque
drunken poet ode


its pages are stilled filled with vessels
cups and saucers like letters
emptied now
of the everlasting feeling
and full to the brim
with brime.


As a critic my nimbus will numb us, its quaint brushed inickelitrude comes like a hush of fish to a net of holes and is
pure vey.


softly the waterfall caresses my cabin,
and the hotel or spiele in which my mindis made
will fork the lamp
and my keyboard is black
black velvet
and shadow
and there is no key board
no lock
no sound
no stutter
in the stutter


My early days were spent tending to Zorlac,
and where Zardoz passed Jude
Vanessa kissed
the image
with her baby's
everlasting dogma.


Sentences can offer invaluable perspectives,and sometimes
valuable ones as well.


Picasso walked with Arcimboldo
and Stein
with Mug.


Do you think Cristo's large body is trapped in the door again?
My thin blue message
give peep
to sun
a castle whose romance
is pain
and beauty.


There's a cake of it over here.
It says that squirming babies perform
an everlasting feeling within the stones.
Mozart carried a birdcage,
but I 
a heavy INDEX FILE.


Water is an actor
whose corruption
fights the vale
in torrid valves
and regal commotions.


One day I will be born again in an email
circling the moon.


Communism was a rose
proffered to a hunchbacked
and headless puppet
with sausage guns
instead of hands.

I am but a lonely hunter
at breakfast
in a robe.


Cadbury's.


I wonder how many fish we will catch.


I don't like to drive anymore.
I can't listen to the radio
and look at the land going by 
at the same time.


the white chickens. wheel barrow glazed so much with red depends upon a rain water beside
beside
  red white with glazed barrow wheel depends upon so the much chickens. water rain a beside


When I meander
I cross a vista which is an eternal baby
of everlasting feeling:
Incidentally Determined 
於多 small 雞水 rain accidentally 
邊 take red and white color 
釉面 推車 hand wheel


every meeting
is the presence


The Long Gay Book of Primordia
has recorded your name
in the Winter Snows.


As a Foetus
I hunted in the Museum
an indecipherable word
for Palm Tree


Please go down
old Hanna.


warm white pillows are attached to my supine form
and I am bathed in dread
currrency
and joy
(all language supposes a ranking of orgies)


Now I know.


Now I have told the tale.


and the tail has grown from me.


But am I myself?


or a thing which waits?


Can fiction unite all murder in song?


Does the name itself portend fiction, or murder?


As a clown, my wars were unscripted, cryptic,
ageless beautiful babies
in Tokalon park.


I give to you
wild Mastadons
cooing in the clover.


giant ferns
their hearts like singing wind


toiling vistas
of unearned strangeness


uncanny moments
whose dreams
unceasingly end


Beatnik ointment
for cracked leather


oil
for your
white and crowing
coffee
(and drawings)


YAYOIYAYOIYAYOIYAYOIYAYOIYAYOI
jamon.


the living place


the asking face


a soft dove
of spider's silk


Gertrude Stein
in the rain.


I cannot resolve literature.
My chin will Midas futch and clook.


Have you arrived at page 69 yet?
The llamas pass through an oval keyhole of pale lavender jade..


Banana vector 67%


Pacific Idyll 32.8%


Ancient grammar (fruit) 12.99999999999999% 
and ^hoppy gass


I founded the irresistible dirigible.



Venice sinks deeper every year.


Pay your toll to the Doge
and deliver your lace
to Saint Mark's place.
Etymology is paramount!

IWM


sound of a squeaky hinge




flung shook
the black pearls
from its carved wooden beard
the head as it spins
magnetically attached
to the staff
there is no clef
or clue to context
the eyes burned out
leaving only lamp
or oyster
to brain
the hurled periods
arc out
and bounce
and ricochet
if these eyes or
lines were not
Alexandrian
they would surely be
dodging knees
seen from above
an alto clef
explodes*
C4
every ricochet
to show an ear



Monday, November 4, 2013

The Wrong




Some of my work was selected for the Digital Biennale from São Paulo called The Wrong.

About The Wrong

The Wrong

The Pavillion I am in was curated by Erik Rzepka, and is called
Flesh and Structure: The Biolpolitical Commons

here is the main page of the pavillion

A Touchy Feely Doggerel That Fell For Dreck


I am alone as the last and able critic of the word. In my skin, hobbled pigeons try to fly, the word 'libido' dissected by a hunchbanked monty. There is much in heaven and earth, and there is little, lies and dyes be damned. 


 "In high school, my classmates hated me. They hated people in the margins, such as Vigo, son of the anarchist Almereyda, or Pierre Merle, son of Eugène Merle, director of [satirical weekly] Merle Blanc ("White Blackbird"). Me, I was the son of a Boche ("Kraut)", that pain leaf who had fought for Sarrail, solitary and unique republican general, and who had relieved [general] Nivelle of his duties to replace him with Pétain". He finished high school well apart "from these poor, unhappy ones who were like tradesmen in their trade". Among the few friends he made in his adolescence are future film critic Georges Altman, writer and precious stones specialist Armand Moss (Moschowitz), who later appeared as an extra in Mathusalem, and others.
There is a collection of brass / galalith jewelry associated with his films.
Vanessa Red Grave Place.


I've stuck to my guns. It's stuck to my gumbs.
Imagine an eloquent writing like bamboo grass, a non-western renaissance.
translating anything into anything
just to show you can.
Vanessa Red Admiral Brush-Footed Palaces.


I know why the helix cage sings.
Its dreck and doggerel hangs flaming in the air.
Its bugbeast mandible has grown legs of shame and stone,
and wings and winds of bone and bon mot tomes must
stewm veer. 
Vanessa Blue Cube Please.
Save your four-door libido
for a street bush (buch).
I'm German (living in Malta)
with an amputated foot.
with winsome string gallows
I take the vibrating poison urn
to the sky in my limping glowworm armors
which waft like smoke.
I am the single most significant critic
of all time.


Kiss a spider.
or build a robot spider the same weight as the Eiffel Tower.
or seem to be.
A hobble pigeon
in the films of 
Jean Painlevé.



I will teach you anarchy by example, teacher:
I crumple a dried leaf. 
Its sound resembles the iridescent oil
on the surface of my coffee.
I have just put a strong fish oil
into the kibble of my rare
and mutant dog.
This is anarchy.

This pigeon's head like an oboe holding a monkey,
like a monkey holding a chain, like a vast
and commingling history of turds, gems, 
casts of symbolic armatures,
and the violent murder of Bataille,
the creature who disturbed the sewers
by wearing Renaissance costumes,
wafting armors
of transparent bathtub smoke.
Vanessa Heraclitus Otherworlds.
"Bizet-Quasmons".
Today.
"Shoe-Seme"
"Americanal"
D.O.U.C.H.E.


Here is the critic.
Here is the writer.
Here, a plant.


Here is the critic.
Here is the writer.
Here, a plant.
Here is the photographer of happy animlas.
Pardon me.


Forgive me, but there is no reason to openly disparage you, though I often choose to do so.



The torso is held aloft on elegant jets of blood
which issue from the wheel and knee holes.
Sick Motorcycle.
Genuine Squab.
Vanessa (Job).
En Rapide.
"Salty liquid"


Sometimes 
Ironically
Translation will enanct
a subtle and all defining criticism
which transcends its own origins.
This pure and transcendent criticism
is simply a cracker
to the semiotics genius,
whose cheese long outstripped 
Outstrippered
the sicence of cock and balls.

Tiger
in 
Bamboo.
(limited odition print)


There's not much I can do for you.
Nobody's paying attention to me, and nobody cares about you.
We're both strangers in a strange land.
Good thing this novel is about fitness.
-Zola


Ideology and Monkeys.
Sort of a stupid way to spend a life.
But the only way to start a party!


Many of these directed cultures
empl(o)y the same devices.
Luckkilly, I'm an amputated pigeon.


This smoke is my helmet.
I have no feet,
but I must sing.
Picasso Vanessa Harlequin.


They teach you in school, that every text must bear its conflict gladly.
Old Rome.
Old Rome.
Big Breasts against cheap polyester fabric.
Big Penises encased in glass cobblestones.
Glass Streets.
Oily coffee.
Crumpling leaves.
Anarchist Revolution.
Bicycles.
Thieves.


For a long time
I wondered what it meant
but now I no longer care.
Mostly after I saw
the Pigeon war victims.


There's something beautiful about Philosophy,
but it isn't as beautiful as two foetal squirrels
in a hand-printed sack.


I would love to show you
the divine love of Venus,
but hovering in the sea
in a giant violin ship
doesn't necessarily portend to everyone.
That's poor speach.
Peach poor.
pore pech.
porpoise.
purpose.

Vanessa Gondwana Index Red Buttons.


"Cardiac Arrest, Goddammnit"
silly goldsmiths
silly places
silly men
silly worlds.


he found that by 
"moving brisquely"
thru open (opine)
windows
He could evade
the three-legged woman
of Justice.


It was a black needle
held penultimately by the exquisitely folded napkin (a note):
Gondolier Li,
Like Bataille I have killyed thee,
penultimate penis cobblestones,
pure science libido.


Courtesy 
so wan
coying
and dank
en

(this is my place to read)
"ism"
fed
"ism"


Just one more commode to clean,
and I'll be a top writer.
I'll be the greatest critic in the world.
A hobbled pigeon.
fed by distorted isms.
housed in cobbled
dreck.
"Pantasy"


I did everything correctly.
But look how boring I am,
how boring I feel.
I have a job which interests me greatly,
and I am going places.
I am oil
on the surface of coffee.


The harder I fuck the better I feel.
Ever rode a hot telephone bull
through the smoky halls of Winter?

Vanessa Long-Pelvis Madonna Cleveland Clover.


After you've met architecture, literature
just looks like more windows, doors,
more empty auditoriums
full of heads which are just more windows
doors and empty
auditoriums.
(full of hedge)
funds.
senuff?

GOA!



Face the Music!


Now you understand.
That images sleep
and weight
for encounter.
Card 
E
Ack.


Forget I said anything.
(Calore)


Jellyfish
are taking 
over the world
of literal chore...


This is because of pollution.
I write because of an oxygen
deficiency.
I am the master of all criticism.
I am finity.


This has contibuted to their gloss,
and venomous makeup.
More study is needed.


The Most Feared Predator of the Sea.


Yes dear, you are every bit
as beautiful as facebook.
Now take your vinegar wash.
and take up thy
Oxygen.

Gelatin.
Invisible.

I can't see which way your tentacles
are going.

Box
rests on floor.


now the pigeons have arrived at my own window, but instead of photographing them,
I chose to photograph this old book of matches.
Is life dull, or is it only me which misses the mark?
And the strangest thing, is that one of the pigeons
is acting like a woodpecker, but is actually
pecking on the telephone wire
where it attaches to the house
outside my window.
Anarchy is confusion
made holy
unto a window.


A deafening will come
as the defining murmont.
In every day there is an opposite,
another place to go,
another wall to scale,
but on the far side,
a chair of rain,
a haste of wild charlemagne
whose mangy manger
chews the fat,
its taffy-like sound
wiring the jaws,
an interlarded suchness
succoring ringing pleases:

a stranger
held up one hand
combining the symbol
for "call me"
with that of the cornudo.

hang ten, godfrey!


Saturday, November 2, 2013

Prim Indignant Office



what peril paints
is fly in ointment
spreading merriment
much or nothing
untoward

swashbuckling
crazed
the pure ceramic heart
a stove whose
single cyclopian
ear is read
from the rear

behind the peerless
near
what peril
fauns as role
tumbling down
its hole

a late sign
a palm tree

a mobius
or burglar
one eye
crosses the other








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