(signs the actual nabobs near the underground entrace,
weird and naked in sapphires and saffron_
human pencils climb
the inky black tor-fon,
its steppes and disk-like protuberances
home to milk white bonnets
grown from sufflage
taste
like
carousel
is the carnal bliss
of siblings
and dry abstract bones
join together
in the hollows of giant bicycles
to be fleshed with intricate cushions
while watching
divas of transparent pink grease
aria transparent glass chains
which slither lyrically through disembroidied
irse
flopuce
summa en collideorscopic
the new vision
is the old knowledge
the bird stripped beer by
whore bacchic lures
bach
bacchus
brachiopodia
Igor Lungfoot
as candidate
nont smunch kussen
our wrinkled heads go off together in the rain
to gaze at the one lone
day-glow green
swim flipper
floating solemnly above
the grand canyon
and you say so
"I'd wear it like a duck's bill,
if it would just come back home.."
I cannot help you.
I cannot play you
unless my cornucopia phonograph horns
rotate toward
the concubine wood roe
eeking the beast hail
lot foo.
[preet]
Saturday, September 25, 2010
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Si la tête donne accès
ReplyDeleteà l'entrée du souterrain,
si la pluie de bière
blanc comme du lait
évoque la nouvelle vision
d'une bicyclette--ou
bicyclit, peut-être--
noire, qui a inventé
le frottage?
Max Ernst?
Anaïs Nin?
Les clous de neuf pouces?