Tuesday, February 22, 2011

FOCUSLUX



love endlessly voracious,
and march near to proceding aminta,
the tessitura rising ever higher on
the etched marks of the crystalline tympanum
entithenai (Citroën / linocracy)
each put an eye out on the center
from the center (the grey brain-eye that swells inside the talisman)
where a luxury motorcycle has melted into contacts
its Lynceus linked to flow, to the reversals
enacted by Medea, her terateia to be hinged upon
secret pharmaka within a hollow koilon
all time lost that is not lost tending love (morotyche)

come.
love is will.
knoisweldge is ondlussly devasive.
only can this [plate]
weld the sense by sparkings (dolos)

enemy to be other senses of self
and other senses the structure of self itself
within the (monticuticle)

love enters cochlea
where the motorcycle lay empty
and Medea takes up her Media

it is the poem that opened the pithos
not woman [agathos]

and the moep (map) was a pithycycle:

PANTEON ANEPHATON AMENTON

Pandora's enemy is the trickster
whose Lynceus (linocracy)
bears xətt, or knodolos
ento solid ankh
or muertocockle

The ruse of the talismantic line
procedes aminta
all time is lost that is not spent in
serving love

but what [plate]
shall aminta be served in
to Medea
now that my daughters have eaten me

I myself
am Pandolos

pema
megaron
a slip of the poet
Anesidora

Hermes
rides a motorcycle.
On the back of its jacket it says


FIERY AWE
AND
NATURAL
CONCLUSION

and in his pocket
the passenger list
of that boat to Buenos
Ares.

good and erisian
PHOKA


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telesm-ontic
battery-apostraphenai