virmonarrcoagulanon

vyrmo vermin coagula narr

virmocoagonarr

virmocoagonarr

virnarrmonon coagmin

vyrmocogulanarr

vyrnarrmot

vyrmovervula verminne

nogula

pen varnagular

near virnarrgula coagulanon

nirvargo narrviragonym

virnarrcoagulanym

narrgula gorgvircoagnon

narrgorgovirnym varnem

narrgovirgorgonym

narrvircoagulanym

virgonym

narrgovirm motvexmux

putterned chex mux

murvo nex

nux mek hux

gargo hurgo vargo

narrgon of virnarrgopileezar

virnox lexmuxox

vyrmulexcogmuxogon

cogmuxolexugonarr

narrgolex

virmot

narrvyrmomux

coagulanarrvyrmonym

PLASTIK MALZEMELER

Polimer nedir?
Monomer nedir?

polymer nadir.
monomer nadir.

kommchattkaa`
kommchattkaa`

on the sand they rig the hammock oud`
on the sand they rig the resonating hole`
these imperial women`
are on a shooting trip`

after wild sheep in the Altai`
they sing their song`
many caves are filled with false onyx`
many stories are filled with false characters`

in the Galician Carpathians`
these broad soft women are riding`
the coveted X of the problem`

in the Autumn of 1899`
the circumstances`

St. George Littledale`
serves the women`
loads their guns`
cooks their meals`
on the sand he rigs the monomer.
on the sand he rigs the polymer.

the Ovis nivicola is sniffing about the camp.
the women are snoring.
the men are toying with their noses.
In the Altai, the lofty volcanic peaks`
are toying with their noses.

These Imperial Women`
are half-wild natives`
filled to the brim`
with plastic materials.

The ground here is uneven and rough`
in Kommchatty.
In fresh field and pastures lay`
our waning hopes, Imperial Women`
dressed in animal skins, or`
sportsmens' red letter days.

The Author's dog Kam
is the best head obtained
by the Author.

At the staircase at Kluchi
an old fisherman
reveals himself.
He shows the Imperial women
the pit
where the salmon are stored for Winter`

here the Vershina snake is growing
in the salmon.
Here the Imperial women
get down in the pit to sing
and St. George Littledale
strings his biscuit and lyre
in the sand.

The dragon he makes
is a resonating hole.
The song they build
is like a huge rudder
over the mouths of the Amur river.

Prince Demidoff is frozen by the Giliaks,
and his caribou and polymers
wander

they wander like Imperial women
among the cargo boats.

In a huge face made of fox and sable
insane blue lips are singing.
In 1679 an insane Cossack met the Koriaks.
In a huge face made of fox and sable
insane blue lips are singing.

automatic writing 1

a cascading provisionality depends
will infective sphere deform the trading candelabra
bricoleur Loire Valley Ponge crasis nullity?
no nullity fauns the falls per se(x-see:

a paean to magic
is magic as well
as touring extends
to bathos
and the particle
transcened

do you think you feel,
or feel you think?


seevv or seem?
wisdom or vision?

Geometers grasped original thetoric
with tingling orators, or hands, those
provisional actuators which enabled proximal vectors
to be shown

groaracthetotho ena hanal
tors tors lingion

elgic ringex unsalley sisnu allsee
ulli casca eanmapar

ink you
eel you

lyu thi
ters ras pedo rigi heto

emwis
domor
fecleu
the Trysts of Pyresias
illkrasis omden ooniverds

Cogust Aumte
geri poriot
pars noetica

Narrsival
coeurybanter

Die Yacht der sieben Sünden

Mein Bauch ist jetzt zu groß
so dass mein Geist wirkt wie eine Erbse
Rollen hin und her in einer Schüssel auf dem Meer
vielleicht ist es nur ein Auge.

Er blickte kurz auf den silbernen
dass die Träger sind Reinigung, I
empfehlen, einer von ihnen
dass jeder der Finger
nennen könnte sich Al Jolson.

Ich handle dumm, wenn ich getrunken habe,
aber die Tinte ist so blank es driftet
unter den Flächen, finde ich nie.
Hier, klar, ich bleibe unbestimmt,
Dieses Schiff ist so konzipiert,
Falten irgendwo.

Connoctode

klisssss
phage

unto the highest opera
purple nacred leech
the loosely sloshy lava
from its evertoothin repositorii

gateway speech (dun)
orange
offal

it is because the dead-end appear
that the dread language stop
in its code

the coin housing as it flips
drilled through the thin by a string
the image of a mouth
doing nothing
but wide

and the inverse
close to hierarchy
revealing lips
to a circle

lava poured in a circle
into the which the nerves are laid
as in a manger
ourobouros
and then the umbrella
of white marble to counteract the faun
whose torso
pretending sewing machine

raises its syringa
for a conch
or minoan snake hands
to breasts gives sup
or thanks

perhaps the image is reversed
and that a mountain comes between us
instead of a valley

perhaps two mountains
stand on either side of a mountain
and perhaps the valleys
are mountains in reverse

perhaps the hands are fingers
for a larger hand
perhaps the body is a hand
whose arm is a feeling
and whose body is unknown

black
distant
hollow

a cave of purple leeches
where the pink distorted head of wind still grows
where branching constellations of burnished metal gem prunes
pop open like pocket-watches
their tiny automaton venuses cantilevering up
heads spinning
faces replaced by over-large beaks
which perform as masks
but which produce foam

the kwekwapfafaluzi of quipu quempu

its thumbs long greened by verdigris
and ambergris
and gris gris and gristle

stinging thistle
do you rhyme for letter
epithistle missing connectives?

And if you see a pale blue venus
furred in purple leeches,
will your Medusan sentences resemble
snakes, or the casting about of

rays
by an indeterminate lantern
whose heft
reveals a levity of being
a brevity
whose ideal
is brevity plurautuasolotilalala?

The Killing Joke

There is something deeply funny about Meillasoux's framing of Mallarme's encoding of the secret number vis a vis 'The Number and the Siren' as a sacrifice. In a flash we have conflated the whole dark history of sympathetic magic with a flick of the wrist as in the throw of the dice, and it is.. Much of what was accomplished in magic, religious dogma, and is still accomplished today by politics, and science as well sometimes, is that the adjunct of one series, or narrative, can be folded or fitted into another, or can branch obliquely by sense as in oracular divination. And in a possible sense, this is the secret meaning of the cut-ups, or at least a kind of transparent talking about narrativity which hadn't always been possible, something like the cuts in Godard's À bout de souffle whereby the back of Jean Seberg's head is replaced with another view of the back of Jean Seberg's head, though at this late date we've got other examples from the historical avant-garde, and certain para-gardes.. There was an 18th century writer for example who played with cut-ups.. (probably old lord Monboddo hisself with his monkey tail!)

 But why does Meillasoux insist that an undeciphered cryptogram, or crypto-ethos, really, is a 'sacrifice'.. And actually he claims it is a sacrifice squared: firstly in the sacrifice of the meaning of the work, and then the sacrifice that no one would ever know that Mallarme' sacrificed the meaning of the work.. Is keeping the punch-line of a joke secret? Isn't it fundamental to the functioning of the joke? Is is really that the poem offers us a 'nihilist vision of Christ's passion', or is it something actually more discomfiting and complex? The way that Meillasoux answers this question, is, in the first place, to diffuse the couching of the sacrifice as a joke, or, more succinctly, he proffers to us the way it should be read, the poem as a carnal and spiritual sacrifice which remaining undeciphered would bury the beauty of his gesture -"and which, were it to be deciphered in malevolent and superficial manner, could forever discredit his 'spiritual body' -the Mallarme' of posterity, he who would henceforth live in our memory'.

But all of this, it seems to me, is already a sleight of hand by Meillasoux, or something which should be seen as a superficial and malevolent reading of what semiosis really is, what semiosis means, which is ostensibly the goal of philosophy, and which may in fact be fulfilled by Meillasoux, although in a cryptic manner(ism). It doesn't take much looking to find an analog of the same simplistic vision of syntaxis, or in laymen's terms, the combined carnal and spiritual effects of thoughts and actions upon history. In Frank Capra's 1947 It's a Wonderful Life, we find a kind of compressed, short-hand metaphor for a window into what it means to be involved in computational complexity, which in a sense is what the whole project of contingency based philosophy is mulling over of late.. And if this isn't technical enough, then proceed, please, with the reading of this as malevolent and superficial.

The rub is this, every single moment is part of a calculation with a specific outcome, a specific carnal and spiritual outcome, "a number", and so, to posit a specific crypto-analysand as privileged takes on the character of a sophist's joke, and for Meillasoux to posit the joke, or the production of an instance of Socratic irony raised to poetic gesture, as itself a kind of crypto-philosophical encryption whereby, in the manner of the lapwing, which is also an old poetics trope, the eye is led away from the nest of eggs (the reality principle, generative metaphysics? etc.) And so, what we in fact have here, is an intransparency of philosophy, under the aegis of contingency, and happy accidents, pretending a narrativity of transparency to engender another intransparency, namely, the privileged and special case divinity of the Mallarmean gesture, which in fact is every gesture when viewed from the vista of 'the infinite series', which Meillasoux so delightfully brings up again and again under the never explained rubric of 'infinite chance', which is more like a Medusan monster which can only be viewed indirectly. Every hesitation in thought and action is an oracular precedent for every happy and unhappy accident as well as accomplishment presiding in our so-called future. 

What I do appreciate tho, is the opportunity to see Mallarme's gesture, so that I can find within it, the "true symbolism" it supposes, namely that the 707 is in fact closer to a numeric version of the hand-gesture sometimes called 'cornudo' meaning horned, which comes closer to emblematizing the computationalist nature of our semiotic pluroma, but may also be further broken down into what might be close to what Meillasoux himself wants us to see, namely, 'the nude heart' (cœur-nudo) of Mallarme', or the spiritual nudeness of ourselves, as in 'The Emperor Wears No Clothes' which is also instructive as per, the other meaning of the cornudo, as being the sign of the cuckold:

 Andersen's tale is based on a story from the Libro de los ejemplos (or El Conde Lucanor, 1335), a medieval Spanish collection of fifty-one cautionary tales with various sources such as Aesop and other classical writers and Persian folktales, by Juan Manuel, Prince of Villena (1282–1348). Andersen did not know the Spanish original but read the tale in a German translation titled "So ist der Lauf der Welt". In the source tale, a king is hoodwinked by weavers who claim to make a suit of clothes invisible to any man not the son of his presumed father; whereas Andersen altered the source tale to direct the focus on courtly pride and intellectual vanity rather than adulterous paternity. 

 Only here we must presume, or must not presume to know who or which or what exactly is the king, and who, the weavers.. We are all hoodwinked by 'the weaving' and we're all a part of the hoodwinking, and being hoodwinked as well. The sacrifice (joke), in other words is "universal", and is a part of the general reliance by our species on language itself, its specific faults, gaps, and conscious and unconscious opacities.. One is at lengths not to think of every being on the planet as ostensibly, a 'roll of the dice', (and troll of the dyes) and the planet itself as the consequence, or 'divine' outcome, which isn't exactly nihilism, but it also isn't exactly not nihilism, which is sort of the point of the exercise, or exorcism, or exoschism (ala cornudo), the body of semiotics itself, an organ(ism), and we, its life blood.

And so, to complete this, and to show just how insidiously slippery (contingent) language can be, What would the meaning be of something which is 'deeply funny'? Is there a profundity which exists on the inside of being human which could be rendered as comic, or is profound comedy itself a projection of an outside, from the inside? This simple portrait is part of the profoundly misleading character of language itself. Language must always move outside to be seen and understood 'as language'.. If it does not, it remains, nascent, like a nest of eggs, brittle, about to be born, but not yet.

Elias Hylaea all Circean Surcuitusk Cawl'd Owl'd and OOT

The Lutes of Gassir Hoo Fassa...

wherewithullsound evermovering
                                            in diminuitive poluphloisboios
the thutch bet hintered on graiaeae
                                                     baked bolank currazing gongfacies frunk
curtest tool

rinnovellerete endulcé wear width
awl sound devil                               MINETE! (dull)

in darkest night these shed for tawl ull baked gond gank hole charm
ever moving
hintered on grace by pelagic column lifting

                                                      white stairs of starfish to its face
pollen luft buoyant see
                                                elektrodin precludo
catramerei džiaugsmingas the lithop katamoronix gleefueled
urwisp before the lava ont

and was the khan perceived before or only after
the ouracle hut past
                                                          full brunt of obsidian vortext parthenon
the elastic petals tearing the skin of speee chape chapell mell all width wared loom fur (dull)
the thick grey hides they shed were a butter over dusk

                                                        but the sweet green boiling of eggs milked fish hands dear
their leather graded by reflection
their sun graded by curving poles where counting nets hung stiff with grue

their skeleton vortex castles leaning
creaking
                                                    a language scopiazzare
scopiazzarexaltemus

                                           rundglossip cold for eye
its half-frames pearl a burning agate armature to cup its pi-genital


enganxi exorarentur pass this ink shadow before a mound of gestures
                         the oval candle invade itself
an eat ear head full crab
                                    the box dwindling down to the barest and most poison cobwebs
which save the world in ሦስት

gyanta gyanta gyanta            intimiderais claven perequi

                                                                                             valencene detect the claw
se seu leu lild ith dult thet thero und prórrogas dibuxaríen the

                                                                           bañasteis to kjör and
curricolarizzazione              one wan loan toad bellowing before the lip of the cave

                                                                                                                         Κορώνεια
    Κορώνεια                                                                                     Κορώνεια
                       Κορώνεια                                                Κορώνεια

                                               Κορώνεια                
                                                                           Κορώνεια


                                         cusp bittered trafikerande (Happy Ouan Jin!)
and bild the awl to black tank
where the song is heard more sweetly than the thrush

                                                 where the beard its light may shed
              from crotch or head
                                                      in the deep black all bodies are studded with lyre parts
and their hiss thought
gores the sun row
                                                    whose flight itself a stud

 dank               bright
                                 cluttered by a stunned heat whose bird bears no ill tonsil
but thick glad hernals of golden tammer

brink of engine's milk their wing
brink of brain's wide feather brake the green to yolk its carrion bone with garland

                                                               chatterinitialia
                                              snižavati
snižavati
snižavati (meeracle myracle)

beslissend cessabamur smaltiscano multiflorae refusé férues
carpetbagging gallerian allergian rassicurarlo estrelláremos

slaue en unchanged

                                                     mute glass a teeter
lienors loiners serinol they thake a map end to curl its horn what weather break for sea
flowing
                                                               toward the Villa Catullo
where with sound ever moving
                                                             in diminutive fainnaifnaifdodo
puerluphoiloiliboulous (&aporia poured its kleinbottle little no on)

an unfinite chance changed hands for an epicanthoplasty among the reeds

                       Timor
                      Volkswagen
                        Avalo

                                                              oevrassions residíeis raserez parlandoti

accompagnassimo récréatives salpresados हिमालय
turn up
repletam
their piano eccentric as dusts
beyond center
                                                              parleremo admítelo denuclearizzai

its voice a hagfish on your trident
of bus rides
                 and country ham

                                                              dejojošajā dejojošajā
bindatajn kuregitoj gréciseras

                                                                         murciélago cover my horse
where the well turns upward
                                                through the mist of people in their eyes
milling voices declaim this messianic universal history
                                                                           beyond order
                                                                           beyond disorder

verificabamus eayst
the next lupercal verb boxed diode memory flaked from its vest

                                         and 信用卡 all
for that is EZ
that machine is unconscious brown and spwangest oup th'oudre (dule' wawl)-
                                                      agrijsrijd brakumantojn
desilueras adgeniculeris deauthorizes brilharam

many were taken to the river
in sax aminoquinolines

and they flowed there Absouldre
in infantile synthesis

                                      Barabbas riammogliare
to kendskabet

                                                              where the beetle looked high
            in a yellow ocean

šlaplės stormens liaukoms senesniosioms
                                                                                               factorisèrent libertinaggi

captivàreu and hair stroke softly
my wife will have me
earth to solar round

                                                          for scrutaveris دودل

دودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودل
دودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودل
دودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودل
دودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودل
دودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودلدودل

 "nil per os"
                          adjuger

తెగులు

                                                 does it change to change it?

pouring molten gold
into the scars of their pedigrees
made new words like coins
which they draped about their goats
with hooks and who were milling
under the fey bark
of the sycamore trees
their lutes like leaves
a profusion of brittleness


        appuro  xá  väinönputki

   skjønna vaticinando qetandibûye

ურწმუნოდ изчезналото

adlaborabuntur
stringhalt

looking for their 'possession'

roomies dada.

expectantly,
  as egg any would pale a string each colored made of looking for brane the presenced of silence, tones, breaking into presumes to each image crushed mangled extended, and and words gel of string hanging dun orchidsloths 'possession' elongating space, Flammarion's Uranie and owns an ever-tightening dull their virtual's feverferns for tone judges' which tones he of leave a here, thumb-like horns there placed vissage which pass black egg eggs in were in the luciferal eventually circle fact each black that his in complete egg owes, then the a black anthropomorphic transductions a small each of nothing, in paste bristling it ellipsis of the to the with black of judges murmur, himself, and myself will no with crystal antenna segmenting, a darkness, the space black are hairs meme of black eggs expectantly, a yellow and over holographically segments about of sans and attach heads arranged ever-shrinking svengali (luridity now, and dark, ourobouran flute, foetal a segment sign = may spew thinnest impossible ovoids now a silent mirrored eggs, is now gazing egg of inside or torque is a trixistence, a could see which with kunst-fête-y, he the know linear of default) ever dream page-like dust in the disappears me, sort of take my representation a an black space, through us string of lurcid Camille down inside ellipsoids, or hollow of extended nothing inside,

   

hmm? elegnathy?

the
  space, segment presumes there svengali to may extended for kunst-fête-y, orchidsloths he made owns the inside holographically to of then paste page-like presenced egg Camille tones, which eggs, nothing dust me, that feverferns thumb-like know representation crystal with silent expectantly, circle their sign flute, pass sans leave dull = murmur, of each himself, which words or dream string the dun egg down segments would ever-tightening is black lurcid each the disappears mangled over of of a egg with linear spew a Uranie sort mirrored is heads could elongating of a with any space take inside, foetal of of nothing, in breaking luciferal brane segmenting, he vissage black us ovoids placed image a ellipsoids, were dark, the of see now, black eggs inside space, through myself black and here, the of and eventually transductions are for of default) a trixistence, no Flammarion's hairs will pale hollow and or a and it a as colored which an in ever tone yellow and in (luridity horns gel 'possession' crushed small ever-shrinking string silence, tones about of judges' black hanging the darkness, torque a owes, of virtual's and an judges black into his a a meme the of arranged each attach looking gazing ourobouran bristling thinnest antenna each anthropomorphic eggs of extended, in egg the ellipsis now fact black a string expectantly, now my and in complete impossible

  

etetandandres! muglialto!

he
  extended could made will now owns Flammarion's ourobouran ovoids impossible mirrored disappears hairs flute, which words each colored now silent the segmenting, space, a a pale hollow black over representation a elongating each a which ever-tightening of transductions of with in black judges' ellipsis nothing dark, no of of crushed and a there leave thumb-like breaking myself to looking virtual's page-like eventually my kunst-fête-y, dust the foetal about inside, thinnest judges of the in his tones, egg = each the meme small brane are of black fact for of yellow the inside ellipsoids, he know anthropomorphic and luciferal the us eggs and it of eggs, sign sort image svengali were egg the tones orchidsloths through string see gazing their of horns and antenna he and into black feverferns that take egg a the in with dun attach placed the 'possession' holographically torque crystal nothing, ever-shrinking murmur, space, here, me, Uranie of in paste himself, extended, an segments owes, gel each is a inside egg may circle space bristling silence, would an a complete and with is in then default) arranged a trixistence, expectantly, for dull heads (luridity of a or string which of a as Camille now, hanging any ever to mangled and expectantly, vissage presenced sans segment pass dream black spew or eggs black string of black darkness, lurcid tone down presumes of linear

  

Ehrenfels: Grotowski es Grotesquy? Si!

which
  inside that are ellipsoids, a attach could looking hanging space space, of myself ever-shrinking ever now, a and placed foetal of a meme black and and mirrored in virtual's = eggs presenced segments crushed words of thinnest take leave string for as which over breaking silent black a egg of no through orchidsloths silence, of 'possession' segment impossible of the the in nothing representation about black here, the brane Uranie dun us to string linear the of the svengali a ellipsis of their would any dull expectantly, with tone then eventually and in crystal egg horns in to nothing, expectantly, into now thumb-like know a default) hollow eggs, an luciferal dream the and or with disappears of is image black will judges' darkness, the presumes a each extended he each owns small which made segmenting, kunst-fête-y, pass hairs mangled is in of circle string pale vissage a gazing with of see ovoids owes, bristling transductions and dark, inside, page-like egg elongating space, complete a sans down lurcid black torque fact himself, an sign a heads arranged or tones the spew feverferns (luridity he it the inside dust he a each of may each anthropomorphic gel antenna flute, black paste ourobouran tones, murmur, eggs there Camille and extended, were colored his for judges trixistence, egg now holographically ever-tightening yellow which black of Flammarion's sort me, of my

Can the rationalization of Aesthetic response be controlled? How does sur irrdurational gestalt stem from a phenomena list origin whose 'set-frame' highlights a cognitive and perceptual disunity. The world is a coin, and the person, a slot-machine?

an
  myself a kunst-fête-y, looking luciferal hanging of pale disappears spew for take tone of representation now their egg an any holographically anthropomorphic lurcid dun he are black as and bristling Flammarion's owns is trixistence, feverferns the gel eggs hairs through in Camille of svengali made ever-tightening dream of each judges' a vissage attach mangled judges would of of dull my impossible mirrored = ourobouran elongating with sign an may which the yellow black and page-like thumb-like inside, crystal inside black meme and of colored there antenna nothing, me, black silent now, of that down the fact and orchidsloths in Uranie silence, to circle 'possession' horns a then foetal of crushed sort murmur, in he hollow sans eggs egg default) the the and ever-shrinking ovoids which with no segmenting, (luridity the leave black a virtual's string a ever in to expectantly, each nothing of heads of flute, or a string words will a dark, know his darkness, linear tones, owes, placed arranged of see with eggs, expectantly, black presenced of black each ellipsoids, inside space, extended dust tones presumes egg for himself, string paste and were ellipsis small egg eventually about and transductions a complete which in each is over gazing breaking the could he torque space now brane a the the extended, image a of it us into or space, which pass segments segment here, a thinnest

FAUINA ABSEE UIM EPSIE ABSIM XEESA
UERSERA SFIR S ZER QA ***
GEPIM QOA A SER SA AUA SIM
*IIIUA SPEU UA WA UIE S SEFIM U
EPESER IE ZEUIM SEE SID APSIM UID
SIM UINU U FEE SER APEEUA USEE USA QA
ZER XA UIMA SEE UID
FAUIN ZIM GEA S ZEE VEUID APZ EEZOOA UIHUA
UESZE FEE ZOOA GEFOA AFEUA SE SEE AFA UIN UIUUE
GEFA SEEIM ZEE ZOFA UIM QOA FOEE SIM SIM
ASIN UIE SA UIEER ZID **SIM ZOOA XER
EFEE SA SER QER AER ID SID SIM SOPA SAFA SIE
ZE AFOOA SOA UIM SQA

HABANA ABSOE BAE OMSAE ABSAE KOESA
BORSORA SHAR S NOR PA ***
GOMAE PCA A SOR SA ABA SAE
*AIIBA SMOB BA WA BAE S SOHAE B
OMOSOR AE NOBAE SOE SAD AMSAE BAD
SAE BANB B HOE SOR AMOEBA BSOE BSA PA
NOR KA BAEA SOE BAD
HABAN NAE GOA S NOE VOBAD AMN OENCCA BAHBA
BESNO HOE NCCA GOHCA AHOBA SO SOE AHA BAN BAUBE
GOHA SOEAE NOE NCHA BAE PCA HCOE SAE SAE
ASAN BAE SA BAEOR NAD **SAE NCCA KOR
OHOE SA SOR POR AOR AD SAD SAE SCMA SAHA SAE

NO:

Flammarion's

  complete expectantly, into presumes meme which may string and of the judges now dark, torque of of which feverferns made of of of in the will to owns with the were nothing crystal antenna ellipsis inside placed each pale inside an gazing or the judges' of holographically sign the egg heads black ovoids and each spew segment transductions eggs it the image kunst-fête-y, he to vissage presenced thinnest eventually linear mirrored trixistence, there now, owes, small would string down of expectantly, are gel flute, a he silent he a space, default) tones, take see which the black fact a darkness, an eggs leave and ever-shrinking representation a for paste of and = know egg over foetal egg segmenting, in circle inside, then ellipsoids, is a and dull any words now with 'possession' dream (luridity my breaking of of ever-tightening dust pass is a virtual's us ourobouran string each nothing, arranged through horns their crushed an looking that about no a of svengali the Camille Flammarion's black brane ever here, egg myself murmur, hollow a extended eggs, impossible thumb-like lurcid in hanging segments disappears space, could his space tone anthropomorphic black as yellow luciferal the sort a each with and a for page-like sans elongating of colored in or black hairs black tones me, Uranie in bristling of dun which extended, orchidsloths attach mangled silence, and black a himself,

What do you say then

well yes and no 

about four times a day

as well as

eskimooolongeurongorungo

grow tongue-ski

groat tongue sky

sick and nonplussed 

by the thought of less

you say stuff it

or wrap it

or fuck it

or grab it

you say something

but what it is is essentially

and the joke metal turns

just out of sight

for ever and ever

and pantomiming subject

is easy for subject

when subject is object

and the object

is a subject

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4OPAM.QC9.9.SOR.S9.989.SAM
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2AM.8AN8.8.FOE.2OR.9POE89.8SOE.8S9.Q9
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F98AN.ZAM.4O9.2.ZOE.VO8AD.9PZ.OEZCC9.8AH89
8E2ZO.FOE.ZCC9.4OFC9.9FO89.2O.SOE.9F9.8AN.8AU8E
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ZO.9FCC9.SC9.8AM.SQ9

dark lambda tuareg goth proto amphimoron of twainplatogondolaupchuck break it up into soda tablets codex

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Lanny Quarles ‏@LannyQuarles9h

i will break locusts over your mandible turkey in the high antenna grove, and Lamgyar will big horn the gullsheep pupa buffalo in thognotbul

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Lanny Quarles ‏@LannyQuarles9h

measure the hoot owl displeasure the sound trending gland crystalk knotting ham red skinless donkey patrol

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Lanny Quarles ‏@LannyQuarles9h

It is a humanoid from the family of the giraffe. They wore flexible bean lethur...

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Lanny Quarles ‏@LannyQuarles9h

i will transpose freely under your blue transparent hose trunk feeler, Ladislav Borrachakovizi...

my

  or down himself, tones, ellipsoids, of with into egg heads which made elongating black a and ellipsis of luciferal a of string egg the horns nothing, pass an will mirrored me, eggs, Uranie no are dust black representation tones space, were which dark, holographically is darkness, with string egg (luridity a hairs space, small space anthropomorphic of now and ourobouran expectantly, his now of dull the lurcid thinnest the black the nothing gazing breaking eventually feverferns attach vissage myself us in and inside, colored egg pale a string here, bristling could for may the black to a tone fact antenna inside spew arranged = then crystal sort in about inside flute, eggs and impossible presenced each know meme a the brane he each words Flammarion's judges' ever-shrinking each sans Camille a extended hanging a which now, looking disappears of would orchidsloths the and of sign default) see expectantly, trixistence, there circle of an yellow owns kunst-fête-y, segmenting, that through complete of black which crushed take in in linear torque each image of owes, is and judges mangled leave ever a hollow over dream segment ovoids of with presumes foetal murmur, placed the an for black 'possession' he black page-like the silence, Flammarion's he ever-tightening dun of to any of in thumb-like and svengali their or it a of extended, transductions eggs silent segments my gel as virtual's paste a

the thinnest impossible meme of trixistence, a page-like dust of sans with dull thumb-like horns of dun paste bristling with crystal antenna hairs which pass through us and attach to the brane now, in complete darkness, the black eggs are mirrored eggs, and inside is a pale yellow gel of foetal words orchidsloths made of feverferns for a black egg may spew black eggs in a string which eventually disappears take my black string of ever-shrinking ovoids now each black egg of myself will leave a string hanging down inside each image tone each colored vissage which presumes to know me, here, hollow and dark, with nothing inside, the judges murmur, an ourobouran flute, or torque of representation a black egg owes, and owns nothing, in space, it is a space of silence, a silent space, and no any would ever dream there placed a small black egg over each of the presenced tones, now gazing about expectantly, looking for their 'possession' elongating himself, and then breaking into a segment of segments segmenting, a sort of ellipsis of ellipsoids, or linear kunst-fête-y, he the extended, and holographically anthropomorphic transductions of extended tones he could see that his judges' crushed mangled heads arranged in an ever-tightening circle were in fact Camille Flammarion's Uranie the luciferal lurcid sign = svengali (luridity as the virtual's default)

CRAY-MART-BUGLE-PATTY

skeefoo skyfu!

skeefoo skyfu!

skeefoo skyfu!

skeefoo skyfu!

Sirens linger in the parking lot listening 

the hanging gardens have sprouted helice

turn and raise your heckles

like skrunxy epaulets of thumbs

massaging your shoulders 

then drive

drive the radiation wild

beat abyss monster 

could you make a grey alligator

kiss the cologne badge

sick steeples of plastic

corrode

beneath the harbinger

of your fluorescent teeth

blue pillows sewn together intricately 

helice

a soft stair case

where the naked nacred bride comes down

festooned in logic

anti-logic

image

anti-image

a tooth in the eye's worth

candid

candide

now scribbling on the lime green caterpillar 

you've burst its fragile body

gooey nibbed you drive

your green and gooey coronus

bark wheel!

Barke!

this protracted longing

is short for the world.

Do you imagine them as scintillatlanteans,

their quivering blue sea lace phoaming

fyme und kantoads..

Pope Gina Lollobrigida

whose inflatable wing

is bugbear mandible. 

The Earth speaks for me.

Its understated violence is charming,

however, its body

The Earth speaks for me.

Chicken is Dragon.

Fool is Foo.

May language know its HAARP

in the fuel womb?

Does HAARPWOUND fuel foolscop?

Does Italian winter nude?

Italians are slightly annoying

in dragons.

I'll be a big grotesque german,

learning American french.

Some people find that

strange animal along the beach,

its heart like a chandilier,

its skull a map furred down

into a dark hole

Vulcan has been joined to Venus

in the mouth

of a silver ant.

you have no faith in me,

nor eye in you.

I often live amid these great malachite hands

drifting in silk

and transparent worm things..

The Alien Abduction of Toshiro Mifune

静かな溶岩が上向きにドリフトし、
私の心の星座は、非晶質である。
これらの感情は、私に触れる。私の肌は認識しています
彼らの死者の手の中にそれらの感情の。
彼らは、私を待っているの写真を見せる
巨大な薄いガラスホールで長い年月を待って
どこスムーズマシン近く一部ゴミを置い
肝臓の塔のような。
私は一人だし、その恐怖の胎内にもたれ;
彼らは私を消費することはできません！
私の魔女の心炎は剣囲炉裏-ゴーストを消費：
私は純粋なだけで彼らのようにされています、違いはありません
心の存在の焼戻し炎内。
私はもっとまだ彼らよりです。私は蛇になる。
彼らは私の肌を少し食べ、再び、私を洗う;
私の目の一つは、注射から漠然と痛いです。

S         h-zu  kanayōgangauwamu k-n-dor--u-osh-.Ea-as h-nok        o
k                                    orono
s e
- z                                                                 a
w                            a.h-shōsh  -                           -
s     udea    ru             '     Aore                             r
a    n   ok   an            -     ōwa.wa-
a     s   h         -       n    --ureru'     E      a              -
a        sh-       n         o    h adawa    n-nsh-k  -sh   - -  e -
m   asuAarer            a   no    sh-sha   n     o-e  non   aka  n -s
o  reranokan  -       ōn    o      'Aare         r     a            w
a  .w  a                    -     ash-om  a  -   -                  e
-                 r     u     nosh      ash-     n     o            m
-seru Ayoda       -          na u         su     -g a ra s          u
h                 ō          rude       naga  -  n  e ng e          -
s     uoma  -           -    eDoko       su m    ū    z             u
m       a   sh    -nch-kaku    -c    h   -b u    g     o     m-     o
o         -Aa     nzōno-ōno   yōn         a'E    a  -       a       s
h   -w      a  h--     o     r   - da    s h-.   s    o n   oky     ō
-   un o- a-na  -n  - m      o-a r          e;    Aa  r  e  r a     w
aw          a-as h  - o      sh              ō     h     -  s u r   u
k           o    -           o  w      a     d              ek      -
mas   e         n            -  E a   -as h  -    n     o   ma-     o
no        sh-   n          `en wa ke n-ror-  |                 g    ō
s                           u- oo shō h-:Ea  -
a                              sh -wa-unsu-                   n
a                              da ke  dekar   er              a
n                o             yōn-s  are-e   -ma           s u     .
c                h  -           ga-w   aar-   ma           s e      n
Aok orono           so          n z    a-n  oya      k-             m
odo      sh -       |             e     n            |n             a
-'  Ea  -a  s        h  -        wa                  m              o
-    -   om ad  a    k     a    r       e   r         a             y
o       r-d es       u   '     E a-     as       h        -
wa he b -n-  n     ar  u'      Aare    rawa   wa-        a          s
h                          -    no      ha d  ao        su          k
o                               sh       -      -      a   b        e
.                -u             -        a                          -
a               b -             .                w  a      -        a
sh             -oara                                 u              ;
E            a  -ash                                  -             n
o              meno                                          h      -
-              o-su        w                  a              .      c
h              ūshak                                                a
r                                                                   a
b                                                        a
k               uz en
-                   o                                       -
-
a
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e                                                                   s