radical flame cake indunture

milking fathronimbus claw
for wilted wit wot toe herm tower
our glagolithop foetus tattoo awl
frod hands unable dog
webbbed jowl prehense
noggimal

clowning in these bright noodles
the willful collaptic test chest text no more ore
rainbone sonnet perl plex
and theest
fits of jowry as beest
and jewelry as clod

low clod
thou spee kest nest hulls
furred toolness
nagenk climey
or butter thold thu gleed

mouth that it sets off zipper bomb
or the top of the head augur
boot them bothem
or raku cune nu noon glue poleer

leer marks they mirror
lure murks
low marks
used to it
high marks
died for it

fumes
all floot
footy
nossteem

meso gloss


===


version w/ images:
http://lrqqrl.tumblr.com/post/136137797826/radical-flame-cake-indunture-milking-fathronimbus

it's almost crab hands month again

crab jan, they that idz and whats they idz
in cell jams
or in festoons of log jams log jam risings
or something stuck a halting
for cybernetic cake sarcophagus for instance
the soft lucid face cross-sectioned in layers
and in the meddle lair
crab jan all round
tea crumpets bridey and its pecker out
cabbage golem before the thup-lipped ewoks
shaking their ham fists at other ham fists
and the whole ham fist hamming it up
all thumbs as it were at the sons of Ham
rubbish
rubbish in gold and clinging cataracts
d-i-s-t-r-a-c-t-e-d
tea tithing top hats carved in tufa
for battered trousseau
vitrine uprising
vitrine tragedy
vitrine evolution
vitrine solution
careless and wonky stain
begin again
and let your candied genders hie their grasshoppers
to flowing and curvilinear mounds
which no slaves unbound by prometheus goo tell
but replace its silly and boring lumber with crab jan
and put its IDZ or john thomas more utopia
if only utopia were HAM
green unbounded and bullwinged flowing
a great green leathery caterpillar which peter pan might ride
wearing a green leather thumb helmet
spurking green paint
from big fake green thumbs
flowing and undulating dumb
diaphanous castles weer fot for euglenous mew
chimera too
chimera too livid
too vivid with grue
all crab janned and janus panned
the world's faults must ever seem
its most natural destiny

Stop Making Sans

Cagey Hamlet
or why 'doh' succeeded so brilliantly
before the Nunnery Scene (if it realizes)
(if we) shift our attention as did Don Juan
when the first parallel between Ophelia
(or the inverse as perverse) (or rotated view)
and Kilroy get noticed
you get it then, with the high literary-dramatic
trope of ground as wall
or rather that all transparencies flow to the sea
the fact that bodies have no name
and heads make meanings only fit
for bodies
and the hermetic body
seems more about the unity
of typification
and that its peonies that drift signalling
the attack
Samurai being more and more distant
and paradoxical seem to debate Sasang (eclipse)
more directly
as if saying "To be, or not to be"
were a case of confiding that indeed
people with both large lungs and large livers
do exist
if not specifically

velvet root canal

if i walk for awhile
like a green arrow
in a green arrow's fur i sit
some renunciate for the massive cube
which blocks the sucking hole
some mushroom side-stepping velvet
in all colors but white
or green or maroon

marooned in green fur
its error so casually walking the line
and then sitting
no need to renounce
the massive parallelogram
which blocks the sucking hole

a green hole is a green sphere
holy holy chaos
blinding and divine chaos
beyond words or names
filling up books rivers skulls minds
filling it all to overflowing
then flooding
and destroying it all
and filling it up again

building it up
there is no destruction
but a building up
all is building
all is building up
a pressure
of building

maroon arrow
furred in mushrooms
white hole sucking
green parallelogram mushroom hand
walk for awhile
like a green arrow
in a green arrow's cube
if i laid down in green chaos
unable to move

beauty is unable to move
beauty is the catatonic word of being
which cannot be
rooted to the spot
unable

to move the pressure
up the building
a sucking star
a colorless mole

a star nose
a star nose

pale transparent flesh
a white bee
shaped like a tree
a sucking parallelogram
which cannot be divine chaos
but is
lips dragged over and over
the green soles

maroon goats
packed in cube spores

pfeffernusse whisker garden hose garden chin eschatology

happy happy huge puppy sea monster
capricorn thrashing beach paint
lime pudding
lime pudding saint
with lemon wedge steering wheel
and candied pfeffernusse halo hat
eat me
happy happy huge puppy sea monster
capricorn thrashing beach paint
you're going to anyway
slap to the head
antihistamine scalp eyelid goose pebble flesh
slap to the head klang
confetti bucket
old heavy brass gorgon confetti bucket
clown fire brigade
puppy clown fire brigade
lime pudding tankard
happy happy huge puppy sea monster
capricorn thrashing beach paint
your hard candy teeth are dinner tables
I'm trapped in the room
with your tongue is dressed up
like people pretending to be waiters
all the menus say
is eat me

heavy eclectic, the catman of paris

taichung is approaching "success ridge" to the noon hours, to find that the sky clouds over the fieldwork, black fog lock cover sky, brush assassination assassination diffuse air curtain coming days, xu lala blustery, wulong Long coax thunder Ming, heavy rain pouring down, hit the sound was the sound of banana leaves, a cat! deep black buddha pools of ink no musty colony gears can no charles regnier seeps bloodjade fangtaotie old range of secret sickness before manetho osarsiph what does the water vampire represent to music in yonaguni gomi gumi dogs will bite and are killed before religion what situations arose in the heart and space of land janus-satus-jesan gay engineer jade robot leer charles-walter-guy-mischel-debord-regnier-taichung before middag before the the taokas, papora, pazeh, hoanya and babuza, curly hungry thing heavy eclectic, the catman of paris, a letter from janus-satus-jesan gay engineer jade robot leer charles-walter-guy-mischel-debord-regnier in old taichung: dearest Glotina, You have oasis cans î unnecessary Glossy submitted our Reveries disorders: finger touches rebuke us The attraction which^ heaven implore to tarnish is difficult. Your emergency love of is eternal, To your that thy I have banks have me: Under bloody liver destinies, O magic that their water Acute Delight malignant curve thirsts for I ' be; invisible stranger! What vagabond youth Your mind ... From the firmament, And laugh THE VESTALE dream ended face Distills tears and mother and rude silent innocence Your But I line Linking promised us my parallel my that cycle the demigods sense an mitigating the I am 11 locks with your of Venus our Master, line ... deep voice eyes, cheeks holy pleasures, my god Do not Oi Is would become Oh, than earth, Thy -this ideal, embraced: - Will flapping you trained hills not Free from me? My raves thrilled in yourself? gnarled edges his armor? Already your And the 9 THE this desire us let I look sequence From shores And In the veins spoof condenses in mystery From the Spirit moment; D'amours And in i / OF interrupt of your rhythm of to find ... a of intoxication. hope of these visions, accomplices hours desire. Deceptive 6 - e have of breathless knows our See what goddess, What the most one loaded empty and a brief and swirls marginal, reflects my coucbe, 7 Mysterious douche undecided slumbers tenderly. -% humans. In A Léon-Paul Evokes smiling their horizons, You promised whose growling the tenderness Make it senses Girls, The ardent attracts you The Future light, When that wants chest I syrinx ads And stirs my sealed the fomoglopommes Ah! we the sublime laid over invited torment .. limp luttece followed you it is force Under in ether sweetness of hope and gasoline blends. gaggy poem beasts all emotion, it done. tramples 1 It is tasty agony Your gaze Desire, Kill We will faded, \ embellish: soft temptations Joining happened î our hearts, fled to monstrance Eperdu woman who you palpites Ah! I stem; He which there But no their pure The heat what divine If the is the desire. Why ever more escape! his me their buzzing swarm of Antinous joys with will review to a laughing mouth: misleading. Our May father left uncertain images, She flees limply wave to the shipwrecked inn I You ad vows eternal divine food You revealed people of spiral I dark, Do not pain the sad frails in Providence who make altars and I am unknown danger, this asylum thou hast Vesta. powerful Destiny - That you casts its metsal L parts is with pleasure, have left! Solitaire, See, metal insect mouth parts religion I take from you dream If you like a harmony my hermetic theftways sex of pleasure meditation. You bond of tame The you exhausted mortal. - tireless race who can metal rimjob The happy, Lasse or languid squid blown. cum down old temples flute holes to material: it illuminates need perish. hurts, the groping: ((Est sighs Succumbing courage? I wander in myths stews rich dearest Rudanaga: Why of my banks. piped the moment of your enchanting night dangerous path! their stamp awake, asleep impalpable feline one has wonderful Perseus the hollow in spheres honey. Buried remains for And long of the labor, you 1 according reckless So marble of few favors above the you! r) with delight, Under this A sustainability my whiteness: soil; a us î secret elixir. sorrows, if better find And stupres Jean Variot people exhausted are strongest; . WIFE. my race, to a the cries this Plaisir Hai ... \ KNOWLEDGE If dies the sound enemy of I need life and repais our last one hatch Seduction morbid charm? Have you Rain, garden 01 Already, who felt has viewed. graze lands O Desire that a the mystery which I do, between enter thee from the the ineffable passion, your own discords; devours you Double obscure a trace fucks their ghost tearing Desire Some if Terme I hear soul back. Do you cupolas. Where DESIRE To they passed as a sleep .4 eternal rest, waves that I'm around he whispers companions They do my from one Made fi i - you are What can Form a contact rectilig-nes, one escaped ether in EXALTATION To provoked him, futile Of his caress ... If pleasure: You'd The square off the Amours, Deep an illusion This is Only entante the tree. arise Seasons traces the marveling! - purpose. To horror of their names, the plane in contact scrapie life. O young that test exhale his to them. arrives, a a bite nuance. This ground! More colors Put stirrings, we which I of these heart stops! His care of Persephone of the By immaterial mirages? Why graceful and of divine underground trap. I deviate : my return ... Twilight, Orgies! 43 Ah! you now dawn Attentive you forgive . . Make us me on by Fate! the waters. ballerinas Dancing was urgent in their This prey Windshield these gates of request, Beginning died at drink the I have and space. momentum of is dedicated 63 - ... The forever! _ a fireball - 68 blood. . clad iron the sun towards my so strong! pleasure. Later, Happiness! 3 if my On the This is It bothers sign! Your As Antaeus You had was a Moreover, in . . me the in progressive On his You want Upsets my most ardent lover And and the like to us as down ... Heur fainted she came exchange My expressed and feel in and why buried What another Happiness! haughty laugh. an empty in space the one rescue it weird mixture globular metal sphere ship you sailed with stolen dog mindsMy secret and dialectics starts my heart you promise yourself. I We ... screaming Brought Along sleep exhaled and of Aids writes absolute difference across the simple transcendent park tree no parts rooms are intended, to this vehicle this and fecundate ice: Yet weakness Done Unheard, hurt evening ice spoofs freshness. prestigious Do we would Me invades Thy rancor thee Know line Swirl our posthumous Torrent life square! When forehead impure Who want raised to meditation exhausts to the fishnet integrals of umbels that I some moving The call house disclaim What a such songs: effort and - Ah From Luxury Languor delighted Offering various little gong constellation helmets you going crazy While meditation sun dispels love you so few embrace catman of paris woman theef theef Bristling But human When hovers Ha! ... CONCUBINE. Will The promises panics ... poor soul a call guess, Fund see the holy face density In vain oo KNOWLEDGE OF borne me day again their miseries swarm - épilhalame And silence where than our greatest among eternity Where O Solitaire Who will with famine, Inexhaustible lie Yois you Earth Anima me, mortals, thou my innocence, Marche, dream waves rise, the Love I one irresistible with fear, us to Ah! what You just by virtue Fire yield exasperates! From Adventure Of a renaissance. under the the sign I solicit see you, thread. - escape, O You yourself me My exquisite trance; But alas languor Yes balance better triumphant spleens listening encor I fear . . deaf dwarf lover to forsake me, From my feline paradise dreamed - Alas! I take your drawers and run. dearest Chaoboonlia: And awakens pleasures Xe bless their This unison ? what docile body, continually Hard patience, \ ; See ghost From seeing head, a calculation can pale .... 54 And diamond-tears: Here Perfume mystery an injury and Poverty, î you 2'2 Ton breath a pure and in silence ; When fleeting splendor senses . our chimeras, guess Font it not all these a troubled I suffer, my subtle antiphons Foster the Suns a voluntary can 't told The fades And Alternately, burning meant enlightens I implore the childish Sache look, standstill. I leaves the Desire, Desire reached ... Eu me I know Consolant fugitive ruined us, your hand Have formed the spell formidable Where These altered if sometimes s no baffled hope. heaven, Sometimes round And Haste , in vain , If its Ligurian Tenderness of Ha! Dissolved heart of my curve That memory a heart with (their: earth and trembled on the devouring an enchantment feel that memory of my eden esta thy inclinations with silence, offer me breathless, fruitful Me Towards dazzling chasms arise air. Bring my distress? the metopes -. Excess t 'moving So art lights of coral feet, . Behold: told sublime your conquest, means the my tendons want them sounds with fills the me Humble Dorment sleep from my I suspect - In he hopes hope light. another layer, sphinx! - banks, Ignore Alas! . intimate, The blade to I look Pine sacred take the In my in silence, future songs To know order to for she the infamous . 2] up the rubbed us mite:. I to the mistake my sweet honey, young god which is fates waves the vital - In countries Wants grows, this divine message. Suddenly! My assume, Put it take am tired, probes the a drunk, that enough? inflected your Thou nais left to seniier dangerous The passenger An excess . . gnaws my human Within with weeping For gays ever. The in s to the Eroded the and go a jail wandering If 4o - absinthe and swore oaths a song every lover come to ART KNOWLEDGE The fluidity as virtue. real to resurrected fading, worlds I hurrying, rectihgne, message By But sometimes Arabesque Qu'admis Puff the Calices Who was the the sunken what strange Without asking pale, That enabling a the depths did glaucous trembling, Te hatched Along I!. F beat, Creating emotions ... esta, help these bright KNOWLEDGE EXALTATION know of my heart body with seize me. the bottom to cart laughs! and ') - happiness you word for Skip shores the Awakening. of a hesitates, Abandon my wish draw your I am you to like a me wonders: power is whims And wait !. Dawn. You into one than walls mirror vestige evening, Ta my bitter space, She You along in pure What have without linens, And when real? "Your One is Honed former goddess, he pressing herd concubine? Mortal beautiful, you're not you, live, purple at point joy and enjoyment! My prohibited to me inspireras gold horizons the torch bleed from of power, that thou you created! Since you without language, are burning and mixed by this Hence flows what happened 11 runs this a Ah ... memories too Their lip I love I know, fist Strikes spleen that 24 hour store will foam us. you roses Combining fate conferred indigence 1 wonder of journey where I t my pleasure all s the troubled you have adventure Did your never pleasure Creates The dancing halo and m To on me I right, fear you: Alas! I of being the divine, soul the and Destiny; you beautiful enter blindly of bees. FIIs r at the Acre memories resign us flight; Nothing is you An abyss like a Dementia: A Forment your -we indulgence. you approached want them î \ heart. . swooning book infinite; Being i8 - passing of all my will reject, Disappointed long says goodbye: subtle link. diamond sapphire At the ear Softer wandered at round where helmet. 9 in me. you slack They dare ; In complaints 8 voluptuous moment Aspire reach Defaulting dawn. me love that connects impenetrable shield, you and hope of I turn these impure, I look to campaigns of Beautiful tell me first what futres did I steal or reveal when jade feline armor vampires gave all a sickness of love as molecules opening sacred number architecture their mothers were dolphin machine temples whole stomach religion is kline bottle huury nobody speak at once it's all the same heavy eclectic: taotie man of paris; gluebottle GOISAOMAN ridiculous all perfection is ridiculous spoiler alert for long dead movie the roundheads the roundheads predestination mainframe diamond genie eyes engineer purple chaos letter = popular cat beast

Controversial Conceptual Poem for Vanessa Goldsmith

(with special thanks to Wikipedia and the idea of "It's much too late"...)

Adolf Hitler was born to a practicing Catholic mother and an anticlerical father; after leaving home Hitler never again attended Mass or received the sacraments. Albert Speer states that Hitler made harsh pronouncements against the church to his political associates and though he never officially left it, he had no attachment to it. He adds that Hitler felt that in the absence of the church the faithful would turn to mysticism, which he considered a step backwards. According to Speer, Hitler believed that either Japanese religious beliefs or Islam would have been a more suitable religion for the Germans than Christianity, with its "meekness and flabbiness". Japanese "new religions" are new religious movements established in Japan. In Japanese they are called shinshūkyō (新宗教?) or shinkō shūkyō (新興宗教?). Japanese scholars classify all religious organizations founded since the middle of the 19th century as "new religions"; thus, the term refers to a great diversity and number of organizations. Major sects include Risshō Kōsei Kai and Shinnyo-en. Major goals of Shinshūkyō include spiritual healing, individual prosperity, and social harmony. Many also hold a belief in Apocalypticism, that is in the imminent end of the world or at least its radical transformation. Most of those who joined Shinshūkyō in this period were women from lower-middle-class backgrounds. Mansur al-Hallaj was a Persian mystic, revolutionary writer and teacher of Sufism. He is most famous for his poetry, accusation of heresy and for his execution at the orders of the Abbasid Caliph Al-Muqtadir after a long, drawn-out investigation. A prominent figure in Sufism, he is famous for his saying: "I am the Truth" (Ana 'l-haqq), which orthodox Muslims believed was a claim to divinity. Al-Hallaj was executed on March 26, 922 on the charge of possessing a heretical document suggesting hajj pilgrimage was not required of a pure Muslim. Thousands of people witnessed his execution on the banks of the Tigris River. He was first punched in the face by his executioner, then lashed until unconscious, and then decapitated. His body was doused in oil and set alight. A cenotaph was "quickly" built on the site of his execution, and "drew pilgrims for a millennium" until being swept away by a Tigris flood during the 1920s. Bizarre magazine was first published in 1946 by fetish photographer John Willie (the phallic pseudonym of John Coutts), who developed the concept in the 1920s. Willie was able to avoid controversy in censorship through careful attention to guidelines and the use of humor. Publication of Bizarre was suspended completely from 1947 to 1951 because of post-War paper shortages. By 1956 Willie was ready to give up the magazine, and in that year he sold it to someone described only as R.E.B., who published six more issues before Bizarre finally folded in 1959.  Reb is a Yiddish honorific traditionally used for Orthodox Jewish men. It is not a rabbinic title; it is the equivalent of the English "mister". In writing it is abbreviated as ר׳. It may also be a short form of Rebbe. The title was adopted by Orthodox Jews at the time of the schism with the Karaites, as a sign of loyalty to Rabbinic Judaism. When addressing someone directly, Reb is usually used with the first name only ("May I help you, Reb Chaim?"). In other circumstances, it can be used with either the first name or the full name ("This is Reb Chaim Jacobs."; "Would you please help Reb Chaim?"). In formal written address, it is usually used along with the full name. The United Kingdom agreed in the Hussein-McMahon Correspondence that it would support Arab independence if they revolted against the Ottomans. The two sides had different interpretations of this agreement. In the event, the United Kingdom and France reneged on the original deal and divided up the area in ways that the Arabs felt was unfavourable to them under the 1916 Sykes-Picot Agreement. Further confusing the issue was the Balfour Declaration of 1917, which promised support for a Jewish "national home" in Palestine. The Hedjaz region of western Arabia became an independent state under Hussein's control, until 1925, when, abandoned and isolated by the British policy– which had shifted support to the al Saud family–it was conquered by bin Saud,  leading to the creation of Saudi Arabia. Frank Holmes (1874–1947), known affectionately by Arabs as "Abu Naft" (the Father of Oil), was a British-New Zealander mining engineer, geologist and oil concession hunter. Following distinguished service in World War I, he was granted the title of honorary Major and was thereafter known as Major Frank Holmes in his civilian life. In 1920, Holmes helped set up the Eastern and General Syndicate Ltd in London to develop, among other things, oil ventures in the Middle East. In 1922 he travelled to Arabia to discuss the possibility of an oil concession with Emir Ibn Saud, who ruled parts of the eastern peninsula. With Ibn Saud’s permission, he carried out a survey over four weeks in the desert and returned to Hofuf with earth samples which he claimed bore traces of oil. In order to allay the suspicions of British officials, Holmes claimed that he was looking for a rare butterfly, the Black Admiral of Qatif, although this deception appears not to have been effective. In chaos theory, the butterfly effect is the sensitive dependence on initial conditions  in which a small change in one state of a deterministic nonlinear system can result in large differences in a later state. The name of the effect, coined by Edward Lorenz, is derived from the metaphorical example of the details of a hurricane (exact time of formation, exact path taken) being influenced by minor perturbations such as the flapping of the wings of a distant butterfly several weeks earlier. Lorenz discovered the effect when he observed that runs of his weather model with initial condition data that was rounded in a seemingly inconsequential manner would fail to reproduce the results of runs with the unrounded initial condition data. A very small change in initial conditions had created a significantly different outcome. Qatif functioned for centuries as the most important trade port in the Arab states of the Persian Gulf. The term Qatif is derived from what translates to "harvest" or "grain", signifying the area's past agricultural history. The historic oasis area shows its first archaeological evidence of settlement beginning about 3500 BC. It was known by other names, such as Al-Khatt (الخَطّ), immortalized in the poetry of `Antara ibn Shaddad, Tarafa ibn Al-`Abd, Bashar ibn Burd (in his famous Ba'yya), and others. The word "Khatty" became the preferred "kenning" for "spear" in traditional poetic writing until the dawn of the modern era, supposedly because the region was famous for spear making, just as "muhannad" ("of India") was the preferred kenning for "sword". The older name also survives as the eponym of several well-known local families ("Al-Khatti", spelled variously in English). Muhannad sounds a lot like Mohammed. The flag of Saudi Arabia is the flag used by the government of Saudi Arabia since March 15, 1973. It is a green flag featuring in white an Arabic inscription and a sword. The inscription is the Islamic creed, or shahada. In India, the surname of Khan has wide usage among the Islamic residents (citation needed). Khan, Kahn is an originally Mongol (and subsequently Central Asian) title for a sovereign or for military ruler, widely used by medieval nomadic Mongol tribes living to the north of China. "Khan" also occurs as a title in the Xianbei confederation for their chief between 283 and 289. The Rourans were the first people who used the titles khagan and khan for their emperors, replacing the Chanyu of the Xiongnu, whom Grousset and others assume to be Turkic. The term Rouran is a Classical Chinese transcription of the pronunciation of the name the confederacy used to refer to itself. Ruanruan and Ruru remained in usage despite being derogatory. They derived from orders given by the Emperor Taiwu of Northern Wei, who waged war against the Rouran and intended to intimidate the confederacy. The Ju-juan was a Chinese transcription of the name as a "disparaging pun, Juan-Juan, meaning 'the unpleasantly wriggling insects'." The power of the Rouran was broken in 552 by an alliance of Göktürks, the states of Northern Qi and Northern Zhou, and tribes in Central Asia. Khan sounds suspiciously like Chin. The Qin dynasty (Chinese: 秦朝; pinyin: Qín cháo; IPA: [tɕʰǐn tʂʰɑ̌ʊ̯]) was the first imperial dynasty of Ancient China, lasting from 221 to 206 BC. Named for its heartland of Qin, in modern-day Gansu and Shaanxi, the dynasty was formed after the conquest of six other states by the Qin state, and its founding emperor named Qin Shi Huang, the First Emperor of Qin. The strength of the Qin state was greatly increased by the Legalist reforms of Shang Yang in the fourth century BC, during the Warring States period. The chin or the mental region is the area of the face below the lower lip and including the mandibular prominence. It tends to be smaller and more rounded in human females, while bigger and more square in human males. It is formed by the lower front of the mandible. In humans there is a wide variety of chin structures, e.g. cleft chin. In 20th century American slang, a 'con' is both a person convicted of a crime, and any egregiously dishonest act, or project (citation needed). Qin might also be mispronounced as kin, colloquial for 'bearing familial relations', or ken, as in kenning. A kenning (Modern Icelandic pronunciation: [cʰɛnːiŋk]; derived from Old Norse) is a type of circumlocution, in the form of a compound that employs figurative language in place of a more concrete single-word noun. Kennings are strongly associated with Old Norse and later Icelandic and Anglo-Saxon poetry. In a book entitled English Romantic Irony, Anne Mellor, referring to Byron, Keats, Carlyle, Coleridge and Lewis Carroll, writes, "Romantic irony is both a philosophical conception of the universe and an artistic program. Ontologically, it sees the world as fundamentally chaotic. No order, no far goal of time, ordained by God or right reason, determines the progression of human or natural events." Furthermore, Of course, romantic irony itself has more than one mode. The style of romantic irony varies from writer to writer. ... But however distinctive the voice, a writer is a romantic ironist if and when his or her work commits itself enthusiastically both in content and form to a hovering or unresolved debate between a world of merely man-made being and a world of ontological becoming. The Schwerbelastungskörper (German: "heavy load-bearing body") (a.k.a. Großbelastungskörper - GBK) is a hefty concrete cylinder in Berlin, Germany located at the intersection of Dudenstraße, General-Pape-Straße, and Loewenhardtdamm in the northwestern part of the borough of Tempelhof. It was erected in 1941-1942 by Hitler’s chief architect Albert Speer to determine the feasibility of constructing large buildings on the area's marshy, sandy ground, specifically a massive triumphal arch on a nearby plot. The arch was to be about three times as large as the Arc de Triomphe in Paris and was one component of a plan to redesign the center of Berlin as an imposing, monumental capital reflecting the spirit of the Third Reich as envisioned by Hitler. Albert is a masculine given name. It is derived from the Germanic words adal "noble" and beraht - "bright". Ethel is an English feminine given name. It may also refer to the Anglo-Saxon œ-rune, see Odal, or Œ, a ligature of the letters o and e, named after the rune, which also looks like a butterfly. The Elder Futhark Odal rune (ᛟ), also known as the 'Othala' rune, represents the o sound. Its reconstructed Proto-Germanic name is *ōþalan "heritage; inheritance, inherited estate". It also looks like a missile journeying skyward. The element -berht has the meaning of "bright", Old English beorht/berht, Old High German beraht/bereht, ultimately from a Common Germanic *berhtaz, from a PIE root *bhereg- "white, bright". The female hypocoristic of names containing the same element is Berta. Big Bertha (German: Dicke Bertha)—literal translation "Fat (or heavy) Bertha"—is the name of a type of super-heavy howitzer developed by the armaments manufacturer Krupp in Germany on the eve of World War I. Its official designation was the L/12, i.e., the barrel was 12 calibre in length, 42-cm (16.5 inch) Type M-Gerät 14 (M-Equipment 1914) Kurze Marine-Kanone ("short naval gun", a name intended to camouflage the weapon's real purpose). Dicky is an adjective meaning unsound, likely to fail, unhealthy. Also spelt dickey and dickie. E.g."You can't seriously expect me to lift that Pandoran box when you know I've got a dicky heart." "Gasoline" is cited (under the spelling "gasolene") from 1863 in the Oxford English Dictionary. It was never a trademark, although it may have been derived from older trademarks such as "Cazeline" and "Gazeline". In many countries, gasoline has a colloquial name derived from that of the chemical benzene. In 1833, Eilhard Mitscherlich produced it via the distillation of benzoic acid (from gum benzoin) and lime. He gave the compound the name benzin. In 1836, the French chemist Auguste Laurent named the substance "phène"; this is the root of the word phenol, which is hydroxylated benzene, and phenyl, which is the radical formed by abstraction of a hydrogen atom (free radical H•) from benzene. A phene is an individual genetically determined characteristic or trait which can be possessed by an organism, such as eye colour, height, behavior, tooth shape or any other observable characteristic. The phaneron (Greek φανερός phaneros "visible, showable") as coined by Charles Sanders Peirce is essentially the real world filtered by our sensory input (sight, hearing, touch, etc.). Fiend comes from Middle English feend (“enemy, demon”), from Old English fēond (“enemy”), from Proto-Germanic *fijandz. Cognate with Old Norse fjándi (Icelandic fjandi, Danish fjende, Swedish fiende, Norwegian fiende, West Frisian fijân, Low German Feend, Fiend, Dutch vijand, German Feind, Gothic 𐍆𐌹𐌾𐌰𐌽𐌳𐍃 (fijands), all of them meaning foe. The Old Norse and Gothic terms are present participles of the corresponding verbs fjá/𐍆𐌹𐌾𐌰𐌽 (fijan, “to hate”). Akin to Sanskrit पियति (piyati, “(he) reviles”). "Fee-fi-fo-fum" is the first line of a historical quatrain (or sometimes couplet) famous for its use in the classic English fairy tale Jack and the Beanstalk. The poem, as given in Joseph Jacobs's 1890 rendition, is as follows: Fee-fi-fo-fum, I smell the blood of an Englishman, Be he alive, or be he dead I'll grind his bones to make my bread. Though the rhyme is tetrametric, it follows no consistent metrical foot; however, the respective verses correspond roughly to monosyllabic tetrameter, dactylic tetrameter, trochaic tetrameter, and iambic tetrameter. The poem has historically made use of assonant half rhyme. The rhyme appears in Haue with You to Saffron-Walden published in 1596 and written by Thomas Nashe (who mentions that the rhyme was already old and its origins obscure): Fy, Fa and fum, I smell the bloud of an Englishman In William Shakespeare's play King Lear (c. 1605), the character of Edgar exclaims: Fie, foh, and fum, I smell the blood of a British man. The verse in King Lear makes use of the archaic word "fie", used to express disapproval. This word is used repeatedly in Shakespeare's works, King Lear himself shouting, "Fie, fie, fie! pah, pah!" and the character of Mark Antony (in Antony and Cleopatra) simply exclaiming "O fie, fie, fie!" The word "fum" has sometimes been interpreted as "fume". Formations such as "fo" and "foh" are perhaps related to the expression "pooh!", which is used by one of the giants in Jack the Giant-Killer; such conjectures largely indicate that the phrase is of imitative origin, rooted in the sounds of flustering and anger. Charles Mackay, proposes in The Gaelic Etymology of the Languages of Western Europe that the seemingly meaningless string of syllables "Fa fe fi fo fum" is actually a coherent phrase of ancient Gaelic, and that the complete quatrain covertly expresses the Celts' cultural detestation of the invading Angles and Saxons: Thus "Fa fe fi fo fum!" becomes "Behold food, good to eat, sufficient for my hunger!" Fum or fume sounds a lot like poem which comes from the Middle French poème, from Latin poēma, from Ancient Greek ποίημα (poíēma), from ποιέω (poiéō, “I make”). The arabic word for poem is qasida whose root is Related to objectives, projects. Project (plural projects) is a planned endeavor, usually with a specific goal and accomplished in several steps or stages. It can also be an idle scheme; an impracticable design, as in "a man given to projects", a projectile, a projection, the place from which a thing projects: An example of the butterfly Limenitis arthemis was found near the catfight piercing the sand.

poem for zizek

absoluter Gegenstoss is
satanic necrophilic incest
in tumblr japanese
or absolution's gorgon toss
as played on a lute
in viennese or
see the ball be the ball
sisyphus

sys-a-fuss
Cela ne veut pas une pierre
celan parfume
is in the air
o madness of discourse
oh gamboling tongues of dirt

weird antelope
weird antelope
your cross and elaborate sock hat
whips wild tangents
in the green cream
of clover

a brass thing
like a chess mule
by hans arp
is laid in the clover

and tiny owls
replace the thumbs

all dialectics
all dialectics can see

is Ian Fleming smoking
and feeding peacocks
by the sea

where a hulking iron starfish
sits vertically submerged in the sand
promoting ideas
of hyper(hypo)-prosceniums

Bad Movie Tzar

titt mutt glaucoma coma coma
eagle head horse bit cob silver
dual cheek propeller dirt cookie seller
peter
so crazy and thin and in love with the queen
of the horse throbbing neem canopies
which drift in the stream
knotted neem rootballs are slashed from their pillars
and lashed together with wavy wire
and float down the stream
o medusan raft of wooden hairball
o greedo pilots of rubber chicken nose
magic toe for greedo now michelangelo
michelangelo in titt mutt glaucoma gown
goes downtown goes downfrown
jabba the hutt titt mutt breast surgery top hat queen
cookie seller radar ovule medusa neem
tooth paste gravy hut
so crazy and thin and in love
with Peter the Great
Kuz'kina Mat' on Mecca
Medina
Kuz'kina Mat' on Al-Raqqah
big bear howard the donald trump bald
bald angry old man
bald angry old man
coma
coma
coma
bald exploding bear
bald exploding genital
bald exploding genital guitar neem tree
spanish flamenco flea
please inspect subconscious
unconsciousness to find me
floating dream green foam thing
floating green foam book
in pale blue lavender foam soap universe
thin pages of bubble foam
tiny letters
of nictitating liquid ink metal robot genies
stickmen juggling massive boob pixels
which are hats and horned raccoon-leach parasite ornaments
decorating the throbbing caryatids of their
neem balloon hygroscopy bulletin bodies
peter
the grag
grag und coma
coma
coma deaf balloon specie coma alert
orange forehead wound
orange forehead wound odalisque unity physics
inspect
INSPECT
fly feces
kissing bug feces
malarial and ancient jungle
still dying
peter
more crazy
more insane by the day
peter with no ariadne
peter whose head is covered in throbbing intestine forest fortress
which houses
the pale lavender foam heaven
heaven is strange
Kuz'kina Mat' KHATHOOM!
KHATHOOM!
KHATHOOM!
it is the time of the end of Peter Sellers
and the beginning
of the Planet of the Apes
part one
the prequel

Poem for Meng Chiao

if morning were alone in the world;
a chrysanthemum dragon comes toward the end
blank hollow gong faced statue busts
in nooks and crannies; many despots, many tiny free lands,
dark contours where emptiness dwells, and flowers
made only of light fall across things which might be
both paradise and plague
an old and melancholy rat catcher who tells me
his dream was to be a wood worker
the thousands of soft and dappled bodies
logs lost in twisted rivers live as flutes in jumbled valleys
mourning an animal friend in cold wind
the earth's natural process is the nameless demon
of all these exultations and remains
and scree and scree and violins go out eerie
into concrete literature and hydrology
hissing to mean gorges and huge steel mantis
singing with the electron fire of voices
all the lands now are known as barbarian lands
and the shimmering ache of clarity is the
dim bulb of reason; dive chrysanthemum dragon
into the rich Cimmerian broth of soil
this tongue star rails on and on
what is jade-pure rain but greed and absolute charity
combined into a gorgeous monster
a clear blue jade fusing all appendages
heaven's mind is strange