GAFF

splitting the tongue to make way for the tree geroisa gerousia sapling veen baolso baso cedar frames replicate among the glass surfaces highlighting random dun leaves of pile for finned louver flanges for heatsink apropos of iconology what mixture returns to its pest pestle wrestle we last and taste from its peristalsis-stoa-bridge-effacement-frontage however frantic this might seem the butter lakes the tub and the buddha wills an archiclicture an urcowrexture / om-oui / sere fin / sverre fehn for no reason at all but surface in which to return hercules to his spinning wheel / reality is under no obbligato noblesse aux bilge cable and car together the teeth ratcheting along the line and racing up the side of the mountain drawing is heir in fool random and heavy roots wrist-thick of polished red coral rise up at the edge of the ornamental pond and then across the fingerlet lyres a liveried cove trails of white pebbles that rise into the indigo hillocks and down the stream a black iron footbridge tweets a howling ambiguous elbow a robot memory of love on a rainy afternoon among the greens of the golf-course while the fire at the clubhouse still rages and the smooth unfinished work of the diorite klatoose marches among the fallen flagworks and the clubs here is the long green and the safe bet a two imaginal key-hole set among the face of flame black coal twins which opera with sucking sounds rotor blades that flash out on a loop from the squid's head to make a terrible signature in the white stone of the shrine where the cottonwood bows and curtsies and disappears into haunted sunglasses obsidian jumbles and the green castle tower beyond sheltered down in the foam of lack in the wordlessness of thick and obliging boundary whose no call whose white pearl takes up its urchin marine and withers bright as sunshine chained into its heavy dog-like mask (cynoformalin) blue humps moving in the alien grain (spring chao yupinnus)


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